The Scottish Chamber Orchestra Ensemble, a group of principal players from the SCO, perform a selection of Mozart's chamber works written for smaller forces. This intimate performance showcases the wealth of talent present in this multi-award-winning orchestra
MOZART 111 combines the best of the Austrian master's music with the best of Deutsche Grammophon's Mozart recordings, bringing together a total of 111 works, while retaining, as far as possible, the original album releases with their cover art. There's enough of everything here to stock a shop, as they say, in performances that have stood the test of time and performances that make you sit up and listen to Mozart afresh the perfect way to discover, rediscover and savor the incomparable genius of Wolfgang Amadeus Mozart.
December 1791, the final Requiem. Tired by his many voyages around Europe ever since he had been rejected in Vienna, Mozart could not find the strength to honour his promise to compose a Requiem in record time for the person who had commissioned it… He was in fact to be struck down by illness during its composition and it was his pupil Süssmayr who finished the work according to his instructions. This version remains the most convincing, for the presence and grandeur of Mozart are present everywhere - in the baroque imagination and the classical style, in the universal unrest and the sheer terror of a man alone in the face of Death.
When conductors choose to perform a Bruckner symphony, they either use the original version, in the belief that it reflects the composer's true intentions, or select one of the later revisions, which are solidly established in the repertoire. For this 2016 Profil release, Jukka-Pekka Saraste has made an interesting compromise by choosing Robert Haas' edition of the 1890 revision of the Symphony No. 8 in C minor, which avoids the awkward moments in the original 1887 version, yet preserves some felicities that Bruckner omitted in subsequent versions.