Interesting that the librettist of this oratorio, none other than Pietro Metastasio, avoids biblical passages completely. In doing so, this lets in an emotive realism that allows a quasi-operatic treatment by Prague-born Myslivecek. The composer's penchant for Metastasio in his thirty-odd operas obviously extended to oratorio. The apostle Peter becomes a major figure in the drama. Absent from the crucifixion itself, he has to make urgent enquiry into the state of play. Enter Mary Magdalene - a Biblical character under much re-evaluation in current spirituality - who accompanied Jesus to the cross. Other characters include John (here of course Giovanni), the second eyewitness, Joseph of Arimathea (Giuseppe).