Jordi Savall le Parnasse de la Viole

Jean-Luc Mélenchon, "L'Avenir en commun. Le programme de la France insoumise et son candidat Jean-Luc Mélenchon"

Jean-Luc Mélenchon, "L'Avenir en commun. Le programme de la France insoumise et son candidat Jean-Luc Mélenchon"
Seuil | 2016 | ISBN: | French | EPUB | 128 pages | 3.9 MB

Le projet de Mélenchon pour l'élection présidentielle de 2017. Député européen (Front de Gauche), fondateur du Parti de Gauche et candidat du Front de gauche à la présidentielle en 2012.

Jordi Savall - Llibre Vermell de Montserrat (2016)  Music

Posted by tomashass at Dec. 2, 2016
Jordi Savall - Llibre Vermell de Montserrat (2016)

Jordi Savall - Llibre Vermell de Montserrat (2016)
MP3 320 kbps CBR | 01:11:44 | 166 MB
Genre: Classical, Medieval Era, Sacred | Label: Alia Vox

Jordi Savall is among the leading instrumentalists and conductors of the European early music scene, specializing in Renaissance and medieval music. He began studying music when he was six, learning cello and pursuing that instrument at the Barcelona Conservatory. He took an interest in early music, and began learning the viola da gamba. That instrument possesses approximately the same range and similar playing technique as the cello, but instead of being a member of the violin family is part of the related, older family of stringed instruments, the viol family, visually most easily distinguished from their cousins by their sloping shoulder lines.

Le Journal de la Maison - Décembre 2016/Janvier 2017  Magazines

Posted by Puslik at Dec. 2, 2016
Le Journal de la Maison - Décembre 2016/Janvier 2017

Le Journal de la Maison - Décembre 2016/Janvier 2017
French | 132 pages | PDF | 86.53 MB
Jordi Savall / Le Concert des Nations - Magnificat & Jubilate 2013 [HDTV 720p]

Jordi Savall / Le Concert des Nations - Magnificat & Jubilate 2013 [HDTV 720p]
AVC, 1280x720p (16:9), 7.6 mbps, 50 fps | AC3 448 kbps, 6 ch | 00:59:59 | 3.6 GB
Classical, Baroque, Sacred | arte HD | HDTV->TS

La Capella Reial de Catalunya & Le Concert des Nations, conducted by maestro Jordi Savall, perfrom sacred works by Vivaldi, Bach and Handel.
Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]

Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 280.98 MB
Classical | Label: AliaVox | Catalog Number: AV 9825

The Battalia à 10 is played with great style and charm here. I like the use of two theorbos and a harpsichord and organ on the continuo lines. I have several recordings of this work. Savall's approach is a little more polite than Goebel's and a little more atmospheric than Philip Pickett's quite raw sound. I like all of them. Savall's is, perhaps, the most beautiful recording, even though it doesn't take advantage of the musical effects Biber suggests with as much relish as Goebel or Pickett…

Samia Shariff, "Le voile de la peur"  

Posted by TimMa at Sept. 17, 2015
Samia Shariff, "Le voile de la peur"

Samia Shariff, "Le voile de la peur"
Publisher: Michel Lafon | 2012 | ISBN: 2749906369 | French | EPUB/PDF | 460/319 pages | 0.7/2.3 Mb

Née en Algérie dans une riche famille musulmane pour qui la naissance d'une fille est une véritable malédiction, totalement dominée par son père, Samia se retrouve mariée de force à seize ans. Son époux la viole, la roue de coups, menace de la brûler vive. Elle mettra au monde six enfants dans cette atmosphère saturée de chantage et de peur…

Le Journal de la Maison N 474 - Juin 2015  

Posted by hamasam at May 11, 2015
Le Journal de la Maison N 474 - Juin 2015

Le Journal de la Maison N 474 - Juin 2015
French | 132 Pages | HQ PDF | 103 Mb

Laissez-vous inspirer par une déco qui vous ressemble. Le Journal de la Maison est le magazine de la décoration active, proche et chaleureux : au travers de reportages et de shoppings variés, vous trouvez chaque mois des idées, des conseils, des astuces.
Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]

Biber - Battalia a 10, Requiem a 15 (Jordi Savall, Le Concert des Nations) [2002]
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 1cd, 280.98 MB
Classical | Label: AliaVox | Catalog Number: AV 9825

The Battalia à 10 is played with great style and charm here. I like the use of two theorbos and a harpsichord and organ on the continuo lines. I have several recordings of this work. Savall's approach is a little more polite than Goebel's and a little more atmospheric than Philip Pickett's quite raw sound. I like all of them. Savall's is, perhaps, the most beautiful recording, even though it doesn't take advantage of the musical effects Biber suggests with as much relish as Goebel or Pickett…
Jordi Savall, Hespèrion XXI - Istanbul: Dimitrie Cantemir, Le Livre de la Science de la Musique

Jordi Savall, Hespèrion XXI - Istanbul: Dimitrie Cantemir, Le Livre de la Science de la Musique
Alia Vox AVSA9870 | 2009 | ape (EAC Lame)+cue+no log OR mp3 160k vbr | 350 OR 104 MB
complete booklet scan 300 dpi 103 MB
The Hilliard Ensemble, Paul Hillier - Machaut: Messe de Notre Dame, Le Lai de la Fonteinne, Ma fin est mon commencement (1989)

The Hilliard Ensemble, Paul Hillier - Machaut: Messe de Notre Dame, Le Lai de la Fonteinne, Ma fin est mon commencement (1989)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 53:30 | 220 MB
Genre: Classical, Sacred | Label: Hyperion | Catalog: CDA66358

Hearing or performing music comes closest in the range of human activity to a visceral connection to the past. As long as we have notation and knowledge of how to interpret it, we can effectively experience something like our ancestors did when they sang the same music. Of course, our 20th-century sensibilities and knowledge–or lack thereof–prevent us from sharing identical responses, but as with the music on this disc, when we hear it we are in some way transported to another place. We know a completely different sound world from our own; we know that the accepted order of certain things was different. And we also know that in many ways people haven't changed. Machaut's music conveys a spirituality–both joyful and contemplative–that's as true in its impact as it must have been 600 years ago, a point made ever so clearly by these especially vibrant and vital performances.