Le Concert Spirituel was essentially a Parisian concert series held at the Tuileries Palace, begun in 1725 as an opportunity for musical performances during Lent and other Holy Days when secular musical activities like opera were forbidden. The concerts continued until 1790, just after the beginning of the French Revolution. The music of French composers filled most of the programs, but German and Italian music was occasionally heard, and this CD includes five pieces by Corelli, Telemann, and Rameau that were known to have been played at the concerts. Jordi Savall and Le Concert des Nations, one of the many stellar ensembles he is responsible for founding, play these works with such surging vibrancy that anyone who thinks of the Baroque as a period of stiff formality would be disabused of that notion on hearing these performances.
The 1991 French film Tous les matins du monde (All the Mornings of the World) attracted an audience of unexpected size for a story about French Baroque viol music, becoming a runaway hit in France and Germany and even gained wide distribution in the classical-chary U.S. The commercial ramifications grew with the release of the film's soundtrack, featuring early music giant Jordi Savall on viol; the soundtrack achieved platinum sales levels in its initial release. The film's story, built on a very few sketchy facts about the reclusive seventeenth century viol player known only as Monsieur de Sainte Colombe, drew viewers with its modern resonances touching on the conflict between art and popular success, and partly with its dramatic lighting reminiscent of the paintings of Louis le Nain. The soundtrack has a few pieces with vocals or with a small ensemble of other players.
Jordi Savall, performer, researcher, and promoter of early music, has become known for beautifully produced thematic collections organized around topics as diverse as the worlds of Miguel Cervantes, Christopher Columbus, and Caravaggio, performed by his ensembles Hespèrion XX (and XXI), and La Capella Reial de Catalunya, and recorded on his own label, Alia Vox. This immensely ambitious project, Jerusalem: City of the two peaces: Heavenly Peace and Earthly Peace, consists of two SACDs and a sumptuous book in eight languages, French, Spanish, English, Catalan, German, Italian, Arabic, and Hebrew, that includes a wide assortment of intriguing essays.
Nous croyions tout savoir sur Tintin. Mais nous ignorions, parce que personne avant Tom McCarthy ne nous l'avait dit, que les aventures de Tintin relevaient de la littérature. Cette révélation provocatrice nous conduit à jeter sur l'œuvre d'Hergé un regard dépoussiéré et à exiger d'elle des réponses que l'on attend habituellement des grands classiques. …
Pourquoi est-ce aussi difficile d’être simplement présent ? La raison principale est que nos empreintes émotionnelles ont été profondément enfouies, puis «étouffées», dans notre enfance. C’est ce que Eckhart Tolle appelle le «corps de souffrance», lequel corps nous distrait de la conscience du moment présent.
Unlike Rameau's other operatic output, 'Le Temple de la Gloire' has been incomprehensibly neglected on disc and on the stage until very recently. There have been a few recordings of the dances from the opera, arranged into suites, but this is the first recording of the complete work. The libretto by Voltaire involves mainly allegorical, symbolic and mythical characters, but its intention is serious – namely to demonstrate his philosophy advocating tolerance, freedom, the welfare and contentment of the people. Of course these are concepts which few of us would argue with today, but it was a different matter under the absolutism of the 18th century.