As the elder statesman of British blues, it is John Mayall's lot to be more renowned as a bandleader and mentor than as a performer in his own right. Throughout the '60s, his band, the Bluesbreakers, acted as a finishing school for the leading British blues-rock musicians of the era…
In this lesson, John Renbourn presents a wide variety of fingerstyle arrangements from traditional ballads to country blues, from a Booker T. & the MGs rock instumental to the church hymn Abide With Me. All receive the special touches of John's unique playing, and are explained in detail with the help of split-screen video techniques that allow the student to clearly see and study what each hand is doing.
Elton John has been one of the dominant forces in rock and popular music, especially during the 1970s. He has sold over 200 million records, making him one of the most successful artists of all time. He has more than 50 Top 40 hits including seven consecutive No. 1 U.S. albums, 59 Top 40 singles, 16 Top 10, four No. 2 hits, and nine No. 1 hits. He has won five Grammy awards and one Academy Award. His success has had a profound impact on popular music and has contributed to the continued popularity of the piano in rock and roll…
An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late '60s, befriending another young performer named Steve Goodman…
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”.
In the mid '60s the Chicago based label Vee Jay put out a Hooker LP entitled 'Is he the world's greatest blues singer?', well, it is safe to say now that Hooker is certainly a prime contender. Despite being labelled as an anachronism. Mr. Hooker has proved to be with B.B. King the most successful of all blues artists. A big seller to the black audiences of the late '40s/early '50s and up today, an international celebrity.
A two-hour epic on the art of modern Rock Guitar. After a valuable segment on warming up, John Petrucci (Rock Theater) covers how to develop speed and accuracy, chromatic exercises, playing with dynamics, connecting scale fragments to form long solo lines and much more.
Features 24 bit remastering and comes with a mini-description. One of the strongest sessions recorded by pianist John Lewis in the 50s – a date that shows depths of his talents that run even greater than his work with the Modern Jazz Quartet, quite possibly because is work on piano is at the forefront of the record throughout! There's a sense of darkness here that really fits the image on the cover – a style that's stated clearly on piano lines that are often as spacious as they are gentle, but which also have a moodier undercurrent below, thanks to Lewis' careful choice of keys and notes.
The classic music of John Lennon, united with original and unique film of John and Yoko in London, New York and Tokyo.
In 1992 Paul McCartney and his band began recording Off the ground, and preparing for the New World Tour. Director Aubrey Powell and his cameras were with them every step of the way. The film shows Paul rehearsing, recording at Abbey Road, and performing live.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. A sweet 70s set from the ultra-hip rhythm duo of bassist John Lee and drummer Gerry Brown – working here in a European setting with loads of great reed work to support the "bamboo" vibe of the title! Flute player Chris Hinze blows both bamboo and regular flute – and the feel of the set is like some of his excellent fusion dates from the same time – but the record also has lots of great work from Gary Bartz on alto and soprano sax, plus some keyboards from Hubert Eaves and Jasper Van'T Hof – two very different players who balance out the mood nicely. Some tracks are full-on fusion, but they're offset by mellower, more introspective passages – of the sort that really let the reed players come out strongly – and titles include "Jua", "Rise On", "Who Can See The Shadow Of The Moon", "Infinite Jones", and "Deliverance".