Music both old and new, but all of it inspired by the timeless modal harmony of medieval and Mediterranean cultures: this is the subject of John Williams's brilliant guitar disc for Sony, which also features his debut as a composer. The main work is his own "Aeolian Suite" for guitar and chamber orchestra, based on both original and 14th-century tunes (one of which, the "Saltarello," appeared on early-music pioneer David Munrow's disc called Instruments of the Middle Ages). The suite is a lovely piece of writing, deftly composed, and neither tacky nor pretentious. It's paired with an inspired assortment of spiritually related but diverse arrangements and original pieces by Satie, Theodorakis, Domeniconi, and an emotionally intense four-movement work called "Stélé," by Australian composer Phillip Houghton. Naturally, Williams performs each piece expertly, but most important, he makes his instrument sing, and that's just what the music demands. Simply super.
Because he's long been stereotyped by the rousing neo-romantic adventure scores for the Star Wars, Indiana Jones, and Jurassic Park franchises, it's easy to forget that composer John Williams is hardly idiomatically challenged. When Steven Spielberg gratifyingly used the clout of his enormous commercial success to produce and direct this brave Holocaust drama, his longtime musical collaborator used the opportunity to display both the depth and maturity of his musical gifts and training, producing a score with sad, evocative melodies frequently carried by the violin of the great Itzhak Perlman. Rich with ethnic nuance and showcasing the composer's masterful orchestral/choral subtlety, Williams's emotionally compelling score for Schindler's List also won the Academy Award for Best Dramatic Score.
John Williams’ awe-inspiring music has been heard by anyone who has ever entered a movie house or seen a Spielberg film on TV. This collection brings you the very best of his themes, from ET to Harry Potter, Indiana Jones to Jaws, Star Wars to Catch Me If You Can. All tracks performed by The City of Prague Philharmonic Orchestra.
The new box contains no fewer than three different Williams recordings of that most popular of all guitar works, Rodrigo’s Concierto de Aranjuez – from 1964 with the Ormandy and the Philadelphia Orchestra, from 1974 with Barenboim and the English Chamber Orchestra, and from 1983 with Frémaux and the Philharmonia Orchestra – plus a performance of its much-loved Adagio in Williams’s celebrated 1993 “Seville Concert”.
During his career John Williams has not only explored the basic classical literature for guitar, he has also expanded it by inspiring, commissioning and arranging music from different cultures and in different styles, thereby transform the instrument's repertoire. To celebrate this outstanding and ongoing recording career Sony Classical has released a 2 CD retrospective entitled John Williams: The Ultimate Guitar Collection.
The most important, previously unreleased, John Williams score finally comes to CD, and it only took 34 years! Here it is … John Williams' 1976 score for Alfred Hitchcock's final film - Family Plot. Only the film's spirited End Title has ever been released previously. At long last, the entire magical, mischievous and macabre score is available. Family Plot is a very important score for Williams in that it established a certain approach and tone of writing that he would further explore in such diverse later scores as Close Encounters of the Third Kind, Home Alone, The Witches of Eastwick and Harry Potter, among others.