The third Choir disc on our 'St John's Cambridge' label in collaboration with Signum Records features Francis Poulenc's Mass in G, Zoltán Kodály's Missa Brevis and Leoš Janáček's Otčenáš.
Elton John was the biggest pop star of the '70s, grabbing headlines and generating hits throughout the world. As it turned out, this was merely the first act in a remarkable career that kept him at the top of the charts for over 25 years. He charted a Top 40 hit single every year between 1970 and 1996, a sign that he knew how to both change with the times and mold the times to fit him. Initially marketed as a singer/songwriter, John soon revealed he could craft Beatlesque pop and pound out rockers with equal aplomb. He could dip into soul, disco, and country, as well as classic pop balladry and even progressive rock. His versatility, combined with his effortless melodic skills, dynamic charisma, and flamboyant stage shows, became his calling cards and many of his songs became contemporary pop standards.
John Dowland's Lachrimae or Seven Tears is a series of seven instrumental pavans in five parts, based on the melody of his lute song, Flow, My Tears, followed by a collection of diverse dances. This famous book of chamber pieces is presented complete by the viol consort Phantasm, which is joined by lutenist Elizabeth Kenny, and their expert interpretations have the characteristic mix of poetic melancholy and courtly elegance that define Dowland's music.
Rigor Mortis Sets In is the third solo album by John Entwistle, who was the bassist for The Who. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties rock and roll covers, a new version of the Entwistle song "My Wife" from The Who's album Who's Next, and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity. Bearing the dedication "In Loving Memory of Rock 'n' Roll 1950–∞: Never Really Passed Away Just Ran Out of Time", Entwistle's affection for Fifties rock and roll…