Ian Matthews left Fairport Convention in 1969, and while the U.K.'s greatest folk-rock band was beginning to reinvent itself in a more traditional and very British direction, Matthews began digging deeper into the American influences that had marked his old band's first era. Later That Same Year, the second album from Ian's new group Matthews Southern Comfort (it was released in late 1970, a mere six months after their debut, hence the title), is a beautiful set of songs that splits the difference between West Coast folk-rock and early country-rock, with Gordon Huntley's pedal steel and Roger Coulam's lending an air of sunny sadness that dovetails beautifully with Matthews' silky tenor. Matthews wrote three of the songs on Later That Same Year, and they rank with the album's finest moments, especially the ethereal harmonies of "And Me" and the graceful simplicity of "My Lady," but Matthews also borrows some excellent material from American writers, including a cover of Neil Young's "Tell Me Why" that remains faithful while creating a languid mood of its own.
Beginning with the first notes of Too Much through to the last notes of its reprise, this midsummer show from Atlanta, GA brings some heat. The 2004 Summer Tour saw the live debut of Sugar Will, Joyride, Crazy Easy, Good Good Time and Hello Again played alongside proven fan favorites and rarities. From Captain to Crush, founding member LeRoi Moore’s playing is nothing short of amazing as the band delivers one of its finer sets.
John 3:16 is the latest recording project from Philippe Gerber, formerly of Heat From a Deadstar. John 3:16 keeps pushing the boundaries of his music and delivers a very well-crafted and free-flowing release that is pure atmospheric bliss. For the duration of the 50 minutes of music presented in this album, we felt like floating in space (no need for drugs on this one) thanks to the dreamy atmosphere created. Packed in an excellent digipack, this release is totally worth your money if you are looking for experimental music that puts a high emphasis on atmosphere and flow of the songs.