Composer John Adams' album Road Movies contains five pieces that Adams' considers "travel music, (…) passing through harmonic and textural regions as one would pass through on a car trip." Indeed, during Leila Josefowicz's spirited and appropriately brusque reading of the "40% Swing" movement from the title work, one hears what sounds like a passing auto in the left channel. Is it mere coincidence or the album concept channeling onto the master tape?
This collection of music for guitar, brought together by Jose Luis Bieito as the musical element of his music+image binomis, Reflections, possesses a delightful balance of sounds. These are flowing, pulsing, mostly gentle sounds that tend to soothe and calm the listener's mind. Sounds that - through a variety of compositional techniques - tend to be sustained in time; the effects of which can sometimes capture a listener’s attention, holding it inside an extended musical moment, like a spell. When heard while viewing the accompanying (provocative, sometimes disturbing) images, the sounds can serve an additional function: grounding the listener's reaction, enabling the passage of emotion; like electricity discharging through a lightening rod.
John Lennon/Plastic Ono Band is the debut solo album by English rock musician John Lennon. The album was recorded simultaneously with Yoko Ono's debut avant garde solo album Yoko Ono/Plastic Ono Band at Ascot Sound Studios and Abbey Road Studios using the same musicians and production team, and featured nearly identical cover artwork. John Lennon/Plastic Ono Band is generally considered one of Lennon's finest solo albums and a landmark recording. Rolling Stone named it the twenty-second greatest album of all time.