Composer John Adams' album Road Movies contains five pieces that Adams' considers "travel music, (…) passing through harmonic and textural regions as one would pass through on a car trip." Indeed, during Leila Josefowicz's spirited and appropriately brusque reading of the "40% Swing" movement from the title work, one hears what sounds like a passing auto in the left channel. Is it mere coincidence or the album concept channeling onto the master tape?
This collection of music for guitar, brought together by Jose Luis Bieito as the musical element of his music+image binomis, Reflections, possesses a delightful balance of sounds. These are flowing, pulsing, mostly gentle sounds that tend to soothe and calm the listener's mind. Sounds that - through a variety of compositional techniques - tend to be sustained in time; the effects of which can sometimes capture a listener’s attention, holding it inside an extended musical moment, like a spell. When heard while viewing the accompanying (provocative, sometimes disturbing) images, the sounds can serve an additional function: grounding the listener's reaction, enabling the passage of emotion; like electricity discharging through a lightening rod.
Key 60s material from the great John Coltrane – even if the set wasn't ever released until the late 70s! The album's kind of a "prequel" to the later Meditations record, and it stands as a key bridge between Coltrane's modal years and his more spiritual sounds – delivered here by a core quartet, without the larger accompaniment that graced the later version! The classic quartet is at their best – McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and the sound is slightly more inside than later, but no less filled with searching and yearning! CD version contains a 12 minute extended alternate take of "Joy", the centerpiece of the composition.
In the late ’70s and early ’80s Zorn presented yearly retrospectives of his game pieces at various Downtown venues. He called these events his Olympiads. This long awaited CD presents three of his classic pre-Cobra game pieces in multiple versions by the fabulous Brooklyn-based guitar quartet Dither. Here you will find the building blocks of Zorn’s trademark musical language—virtuosic extended techniques, surprising contrasts, fast group interaction and razor sharp changes. Featuring the first recording of Zorn’s legendary compositions Fencing and Curling, these fabulous realizations will keep you on the edge of your seat from first note to last!