John Coltrane Sacd

John Coltrane - Coltrane (1962) [Analogue Productions 2010] PS3 ISO + Hi-Res FLAC

John Coltrane - Coltrane (1962) [APO Remaster 2010]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 39:53 minutes | Scans included | 1,18 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans included | 865 MB
John Coltrane - Soultrane (1958) [APO Remaster 2014] SACD ISO + Hi-Res FLAC

John Coltrane - Soultrane (1958) [Analogue Productions '2014]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:02 minutes | Front/Rear Covers | 1,17 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 803 MB

Soultrane is one of the essential albums in John Coltrane’s career. Recorded during the first year of his Prestige contract, between his critical service in Thelonious Monk’s quartet and his return to the band of Miles Davis, it finds the tenor saxophonist displaying a new level of both technical and conceptual refinement, dispensing torrents of notes that annotator Ira Gitler famously dubbed "sheets of sound."
John Coltrane - Lush Life (1961) [APO Remaster 2014] SACD ISO + Hi-Res FLAC

John Coltrane - Lush Life (1961) [APO Remaster 2014]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 36:37 minutes | Front/Rear Covers | 1,06 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 742 MB

"Lush Life" is an album credited to jazz musician John Coltrane, released in 1961 on Prestige Records, catalogue 7188. It is assembled from unissued results of three separate recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's fame grew during the 1960s long after he had stopped recording for the label, Prestige used unissued recordings to create new marketable albums without Coltrane's input or approval.

John Coltrane - Bahia (1958) {Prestige}  Music

Posted by tiburon at April 13, 2018
John Coltrane - Bahia (1958) {Prestige}

John Coltrane - Bahia (1958) {Prestige}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 221MB + 5% Recovery
MP3 CBR 320 Kbps | 89MB + 5% Recovery
Genre: Jazz, Hard Bop

Bahia is a steady, often very good hard-blowing and blues date featuring John Coltrane, recorded during one of his busiest periods, 1957-1958, but not released until 1965. (Coltrane cut numerous sessions during the late '50s for Prestige to satisfy a commitment to the label and move to Atlantic; some of these were packaged and released long after they were cut.) Most were done with the same rhythm section: pianist Red Garland, bassist Paul Chambers, and drummer Art Taylor (although Jimmy Cobb substituted for Taylor on two songs). Also featured is additional work by a pair of trumpeters: Wilbur Harden appears on "My Ideal" and "I'm a Dreamer, Aren't We All," while Freddie Hubbard takes over on "Something I Dreamed Last Night."
John Coltrane - Bahia (1965/2016) [Official Digital Download 24bit/192kHz]

John Coltrane - Bahia (1965/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 36:21 minutes | 1,47 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recorded over two sessions in 1958, this album was compiled and released in 1965 by John Coltrane's former record label to capitalize on his growing fame and success. Coltrane is joined by Freddie Hubbard on trumpet, Wilbur Harden on flugelhorn and trumpet, Red Garland on piano and drummer Art Taylor on one session; the other set features Jimmy Cobb on drums while bassist Paul Chambers appears on all tracks.
Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956/2016) [Official Digital Download 24-bit/192kHz]

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 43:52 minutes | 1,07 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Recorded in 1956, "Tenor Conclave" lives up to its name, bringing together the mighty tenor saxes of John Coltrane, Hank Mobley, Al Cohn and Zoot Sims. All four play on all four tunes, backed by an equally impressive rhythm section of pianist Red Garland, bassist Paul Chambers and drummer Art Taylor. This album would be re-released under Coltrane's name in 1962.
John Coltrane - Concert In Japan (1966) {Impulse!-Verve Originals B0015955-02 rel 2011}

John Coltrane - Concert In Japan (1966) {Impulse!-Verve Originals B0015955-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 418 Mb | MP3 @320 -> 170 Mb
Full Artwork @ 600 dpi (png) -> 151 Mb | 5% repair rar
© 1966, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015955-02 | LP AS-9246-2
Jazz / Avant-Garde Jazz / Modal Music / Free Jazz / Saxophone

This single-disc Concert in Japan by John Coltrane's 1966 quintet is a reissue of the original double LP that was released as IMR 9036C in 1973. Its three selections include two long instrumental pieces and a spoken introduction of the musicians in Japanese. These performances are compiled from two Tokyo dates. This set is not to be confused with the four-disc document that includes both Tokyo concerts in their entirety. The band here performs a 25-minute "Peace on Earth," a ballad that Coltrane wrote especially for the tour, to express his empathy and sympathy for the nuclear destruction Japan experienced during WWII. The tune moves outside, but stays well within the realm of spiritual boundary-pushing that the band was easily capable of.
John Coltrane - Sun Ship (1965) {Impulse!-Verve Originals B0015952-02 rel 2011}

John Coltrane - Sun Ship (1965) {Impulse!-Verve Originals B0015952-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 299 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 247 Mb | 5% repair rar
© 1965, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015952-02 | LP AS-9211
Jazz / Avant-Garde Jazz / Free Jazz / Saxophone

Recorded on August 26, 1965 (and not released until after his death in heavily edited form), Sun Ship was the final recording by John Coltrane's quartet with drummer Elvin Jones, pianist McCoy Tyner, and bassist Jimmy Garrison. After nearly four years together, this band had achieved a vital collective identity. When Coltrane moved toward metrically free styles of rhythm and melody (with tunes often based on one chord or a short series of notes as themes), the quartet's rhythmic pulse and collective interplay evolved accordingly. The title track opens with a splintered theme. Garrison and Jones group dramatically around the leader's call, then rhythmically abstract the pulse; they imply a central rhythm more than state one.
John Coltrane - Transition (1965) {Impulse!-Verve Originals B0015953-02 rel 2011}

John Coltrane - Transition (1965) {Impulse!-Verve Originals B0015953-02 rel 2011}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 295 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 240 Mb | 5% repair rar
© 1965, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015953-02 | LP AS-9195
Jazz / Avant-Garde Jazz / Post Bop / Saxophone

There's no sense of "transition" here – as the album's an incredibly solid one, and stands with John Coltrane's best mid 60s work for Impulse – even if the session wasn't issued by the label until after his early death! The work builds strongly on the Love Supreme vibe – soaring, searching, and finding whole new space in jazz – but all with a unified conception that's driven by an unbridled sense of energy. The group here is the quartet with McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – and we're still quite puzzled why Impulse never managed to get this one released until a few years later! Titles include "Transition", "Dear Lord", and the side-long "Prayer and Meditation" suite.
Tomonao Hara & Hiroshi Ikejiri - Dear J.C. - Dedicated to John Coltrane (2018) [Official Digital Download 24/192]

Tomonao Hara & Hiroshi Ikejiri - Dear J.C. - Dedicated to John Coltrane (2018)
FLAC (tracks) 24-bit/192 kHz | Time - 51:16 minutes | 1.69 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

This is an album produced carefully selected 10 original songs from John Coltrane earnestly respected by Jazz Trumpeter Tomonao Hara and bassist Hiroshi Ikejiri who were played called Duo. To prepare for one year, The album recording at Meguro Mori Artwork studio, where a groundbreaking Japanese studio, was selected for recording. The high tension and musicality produced by both players embodies a new worldview in John Coltrane's compositions by recording UNAMAS.