John Cage Samples

Big Fish Audio John Cage Prepared Piano KONTAKT 5  

Posted by orientazure at Sept. 30, 2012
Big Fish Audio John Cage Prepared Piano KONTAKT 5

Big Fish Audio John Cage Prepared Piano KONTAKT 5 | 300 Mb

New KONTAKT 5 version of John Cage Prepared Piano library. The original prepared piano and the only samples ever to be authorized by the estate of world-renown composer, John Cage. This particular collection of sounds was created for use in his magnum opus composition, Sonatas & Interludes (February 1946-March 1948). Using his original materials and following the precise instructions found at the head of his published score, various "mutes" were inserted between the strings of the keys, then each note pristinely recorded and programmed to bring you the instrument as Cage himself both envisioned and performed. Forty-five of the piano's eighty-eight keys were prepared, eleven with double preparations; three dynamic levels in five articulations comprise a total of 1,320 samples. This landmark achievement makes an authentic prepared piano, and by extension the works of John Cage, available to sampler owners in one of the most unique virtual instruments ever created.

Big Fish Audio John Cage Prepared Piano MULTiFORMAT (repost)  

Posted by orientazure at Jan. 15, 2012
Big Fish Audio John Cage Prepared Piano MULTiFORMAT (repost)

Big Fish Audio John Cage Prepared Piano MULTiFORMAT (repost) | 261 Mb

The original prepared piano and the only samples ever to be authorized by the estate of world-renown composer, John Cage. This particular collection of sounds was created for use in his magnum opus composition, Sonatas & Interludes (February 1946-March 1948). Using his original materials and following the precise instructions found at the head of his published score, various "mutes" were inserted between the strings of the keys, then each note pristinely recorded and programmed to bring you the instrument as Cage himself both envisioned and performed. Forty-five of the piano's eighty-eight keys were prepared, eleven with double preparations; three dynamic levels in five articulations comprise a total of 1,320 samples. This landmark achievement makes an authentic prepared piano, and by extension the works of John Cage, available to sampler owners in one of the most unique virtual instruments ever created.

Big Fish Audio - John Cage Prepared Piano (Multiformat)  

Posted by Artist14 at July 14, 2010
Big Fish Audio - John Cage Prepared Piano (Multiformat)

Big Fish Audio - John Cage Prepared Piano (Multiformat) | 1.55 Gb

The original prepared piano and the only samples ever to be authorized by the estate of world-renown composer, John Cage. This particular collection of sounds was created for use in his magnum opus composition, Sonatas & Interludes (February 1946-March 1948). Using his original materials and following the precise instructions found at the head of his published score, various "mutes" were inserted between the strings of the keys, then each note pristinely recorded and programmed to bring you the instrument as Cage himself both envisioned and performed. Forty-five of the piano's eighty-eight keys were prepared, eleven with double preparations; three dynamic levels in five articulations comprise a total of 1,320 samples. This landmark achievement makes an authentic prepared piano, and by extension the works of John Cage, available to sampler owners in one of the most unique virtual instruments ever created.
Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}

Morton Feldman, Erik Satie, John Cage - Rothko Chapel (2015) {ECM New Series 2378}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 223 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 300 dpi (png) -> 130 Mb | 5% repair rar
© 2015 ECM Records | ECM New Series 2378
Classical / Avant-Garde / Chamber Music

This is a marvelous release, equally perfect in conception, execution, and engineering. The program locates the intellectual origins of the American avant-garde composers Morton Feldman and John Cage not in postwar European developments, but in the music of Erik Satie, who with each decade seems a more pioneering figure. Feldman and Cage here seem not modernists, but postmodernists. Front and center at the beginning is Feldman's masterpiece Rothko Chapel (1967), a chamber-ensemble-and-chorus evocation of the Houston, Texas, chapel adorned with paintings by, and partly designed by, the Abstract Expressionist painter Mark Rothko.

John Cage/James Fulkerson - Music For Trombone (1992)  Music

Posted by TestTickles at Sept. 10, 2016
John Cage/James Fulkerson - Music For Trombone (1992)

John Cage/James Fulkerson - Music For Trombone (1992)
MP3 CBR 320kbps | RAR | 170 mb
Genre: classical, modern classical

Music For Trombone is the 1992 CD by James Fulkerson performing the works of John Cage. Released in the Netherlands on Etcetera, this was recorded at The clocktower Studio at the University of Keele in Sstaffordshire in the United Kingdom on 1 June, 1992.

VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)  Music

Posted by tomashass at July 19, 2016
VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)

VA - Rothko Chapel: Morton Feldman, Erik Satie, John Cage (2015)
MP3 320 kbps CBR | 01:10:20 | 161 MB
Genre: Classical | Label: ECM New Series

The album 'Rothko Chapel' addresses a network of musical relationships and inspirations, taking as its main focus Morton Feldman's work named for the Houston, Texas multi-faith chapel built to house Mark Rothko's site-specific paintings.
Nicholas Isherwood - Aria: Nicholas Isherwood Performs John Cage (2015)

Nicholas Isherwood - Aria: Nicholas Isherwood Performs John Cage (2015)
EAC | FLAC | Image (Cue&Log) ~ 167 Mb (incl 5%) | Mp3 (CBR320) ~ 110 Mb (incl 5%) | Scans included
Genre: Classical, Avant-Garde, Vocal | Label: BIS | # BIS-SACD-2149 | Time: 00:44:53

Nicholas Isherwood made his début as Lucifer in Stockhausen’s Donnerstag aus Licht at Covent Garden, at the age of 25, and has since collaborated closely with composers such as George Crumb, Hans Werner Henze, György Kurtág and Iannis Xenakis. His relationship with John Cage soon developed into what he in his liner notes to the disc calls ‘a love affair’. The composer Sylvano Bussotti has remarked that ‘since the passing of Cathy Berberian, Nicholas Isherwood is the singer who best understands the spirit of the music of John Cage’. On ARIA, Isherwood presents most of Cage’s music for solo voice that is not included in the composer’s Song Books, and most pieces are here recorded for the first time by a male singer. The programme covers 43 years, from A Chant with Claps from the early 1940s to Ryoanji and Sonnekus2 of the 1980s, and includes the celebrated Aria, here performed with a new multi-channel tape realization of Cage’s Fontana Mix, by the Italian composer Gianluca Verlingieri.

John Cage and David Tudor: Correspondence on Interpretation and Performance  eBooks & eLearning

Posted by arundhati at June 30, 2016
John Cage and David Tudor: Correspondence on Interpretation and Performance

Dr Martin Iddon, "John Cage and David Tudor: Correspondence on Interpretation and Performance"
2013 | ISBN-10: 1107014328, 1107507804 | 240 pages | PDF | 6 MB
Aki Takahashi - Four Walls: Aki Takahashi Plays John Cage (2004) {Camerata CM-28027}

Aki Takahashi - Four Walls: Aki Takahashi Plays John Cage (2004) {Camerata CM-28027}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 167 Mb | MP3 @320 -> 156 Mb
Full Artwork @ 300 dpi (png) -> 23 Mb | 5% repair rar
© 2004 Camerata Tokyo | CM-28027
Classical / Contemporary

John Cage's austere Four Walls was composed in 1944 for Merce Cunningham's dance play of the previous year, and marks the beginning of a long and productive collaboration between the two artists. Except for the dance's structure, which was carefully planned in advance, Cage's music operated fairly independently of Cunningham's choreography, and its strictly timed sections alternated between fragmentary, song-like passages in modal harmony and aggressive bursts of expanding and contracting patterns, often in bare octaves.
John Cage - Piano Concerto; Credo in Us; Imaginary Landscape No.1; Rozart Mix; Music for Carillon (2008)

John Cage - Piano Concerto; Credo in Us; Imaginary Landscape No.1; Rozart Mix; Music for Carillon (2008)
Burkhard Wissemann, Michael Dietz; Johann-Nikolaus Matthes; Bell Imhoff, Doris Sandrock
Christoph Keller; Hermann Danuser, Ensemble Musica Negativa, Rainer Riehn

EAC | FLAC | Image (Cue&Log) ~ 370 Mb (incl 5%) | Mp3 (CBR320) ~ 174 Mb (incl 5%) | Scans included
Genre: Classical, Avant-Garde, Electronic | Label: EMI | # 50999 2 34454 2 0 | Time: 01:11:15

John Cage (1912-1992) was one of the most controversial composers of the 20th century. He is best known for his 1952 work 4'33" which involves not a single note of music being played. This selection of Cage's music provides a rare opportunity to get to know a range of works that were written between the years 1939-65, which were some of the composer's most productive years.