A significant recording, as this is Joe Pass' debut on vinyl. It was recorded while Pass was still a patient at the Synanon Drug Center in California. Made with fellow patients, Pass proved to be a star. It is interesting to note that Pass played an electric solid-body rock guitar, as he did not even own a guitar at this time. His legendary chops are especially evident on "Projections" and "Hang Tough," featuring some of his cleanest playing ever recorded. His accompanists prove to be adequate, but hardly approach the genius of Pass. A landmark recording in the history of jazz guitar.
As this lavishly boxed, four-CD distillation of his Pablo sessions proves, Joe Pass was probably the guitar-playing equivalent of Art Tatum on the Norman Granz roster – not only for his vast output, but also for the all-encompassing, almost orchestral way in which he got around his instrument. The set is divided equally into four sections – disc one for his astounding solo electric and acoustic guitar sides, disc two for studio recordings with various groups, disc three for various live recordings solo and with groups, disc four the delicate Ella Fitzgerald and other duo partner sessions and quartet pieces backing Sarah Vaughan…
Joe Pass, Catch Me. One of the greatest jazz guitar albums of all time, Catch me captures guitar legend Joe Pass, with pianist Clare Fischer. The two were a match made in heaven. Mostly, this album just has Joe Pass and crew swinging standards, but they make them sound so fresh and new. The beautiful rendition of Catch Me, is so vibrant, bright, and melodic. Pass plays great at those up-tempo tunes. The group swings down home on Summertime. Pass struts his blues side of him on this one, and the outcome is tremendous.
Solo guitar by Joe Pass – a beautiful little album that's a perfect showcase for the new sensitivity in his music during his years at Pablo records! The Joe Pass heard here is light years away from the guitar player who made a few gimmicky records a decade before – and this album has Joe coming across with a gentle, but sophisticated approach to his instrument that we never would have expected in the past!
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
This posthumous CD is novel because it features Joe Pass exclusively on acoustic guitar, and it is obvious that he enjoyed every minute of these sessions. "The Shadow of Your Smile" is no longer easy listening fodder, as Pass turns it into a miniature master class in swing. "Star Eyes" is accented by the soft squeaks of Pass' fingers gently weaving their intricate magic. Most of the works of Joe Pass tended to be improvised blues, so the title track is an exception – a simple yet elegant ballad written for his wife. "Blues for Angel" highlights his matchless mastery of slow blues. The boppish blues "Satellite Village" is a perfect closer. The good news is that there are several more unreleased sessions by Joe Pass that will follow this superb collection.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the greatest albums of Brazilian jazz that Bud Shank ever recorded — done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before — but there's something about this record that really gets the whole thing right — as Shank's alto and flute come into play with a killer combo that includes Clare Fischer on piano, Larry Bunker on vibes and drums, Joe Pass on guitar, and Milt Holland and Chuck Flores on percussion.
Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.