When musicians in the New York folk scene of the 1960s grew tired of city life, they decided to "get it together in the country." They headed for Woodstock-not the site of the infamous music festival of 1969 but to the Catskills, to Bearsville, to Woodstock proper. Counterculture revolutionaries like Janis Joplin, Richie Havens, and Paul Butterfield got "back to the land," turning the once sleepy hollow into a funky Shangri-La. Small Town Talk tells the town's musical history, from its earliest days as a bohemian arts colony to its ongoing life as a cultural satellite of New York. Woodstock, the bucolic artists' enclave, has earned its place in rock music history; Small Town Talk is a classic study of a vital music scene in a magical place during a revolutionary time.
Lord Sutch and Heavy Friends is the debut album of English rock singer Screaming Lord Sutch. Recording began in May 1969 at Mystic Studios in Hollywood and released on Cotillion Records in 1970. The album featured an all-star line-up with contributions from Led Zeppelin's Jimmy Page (who also produced the album) and John Bonham, guitarist Jeff Beck, session keyboardist Nicky Hopkins, session guitarist Deniel Edwards and Jimi Hendrix Experience bass-player Noel Redding…
Classic Rock Presents Hendrix - People, Hell and Angels Collector's Pack features the brand new studio recorded album by Jimi Hendrix in full, art cards plus a 116 page magazine that forms the ultimate sleeve notes. The album consists of 12 previously unreleased tracks recorded by Jimi Hendrix whilst starring in the 'Jimi Hendrix Experience'. This special album showcases the legendary guitarist working outside of the original Jimi Hendrix Experience trio. Beginning in 1968, Jimi Hendrix grew restless, eager to develop new material with old friends and new ensembles. Outside the view of a massive audience that had established the Experience as rock's largest grossing concert act and simultaneously placed two of his albums together in the US Top 10 sales chart, Jimi was busy working behind the scenes to craft his next musical statement.
There is no greater paragon of tenor saxophonist taste than Harry Allen. While the fickle winds of prevailing styles continue to blow this or that way, Allen stands tall like the mighty oak, unswayed by fad fashions and firmly rooted to the music of the Great American Songbook. On this appealing date, Allen visits the music of George Gershwin, Cole Porter, and Duke Ellington.