Jim Hall Bill Frisell

Jim Hall & Bill Frisell - Hemispheres (2008) {Re Post}  

Posted by DjangoTiger at Dec. 27, 2014
Jim Hall & Bill Frisell - Hemispheres (2008) {Re Post}

Jim Hall & Bill Frisell - Hemispheres (2008)
MP3 CBR 320 kbps | 2 CD - 20 Tracks | 1:56:01 | 263 MB
Genre: Jazz | Label: ArtistShare

The magic that occurs when student meets teacher on equal footing years down the road is rare enough. With Jim Hall—one of the most influential guitarists of the past half century—his spare approach, a reference point for younger guitar icons including John Abercrombie, John Scofield and Pat Metheny, has resulted in more magic than most. Hall and Metheny met successfully on Jim Hall & Pat Metheny (Telarc, 1999) and, while the elder guitarist also met briefly with Bill Frisell on a handful of tracks on Dialogues (Telarc, 1995), it was clear that the simpatico between them was profound and warranted further investigation. 13 years later—Frisell's star rising considerably during that time—the two reconvene for Hemispheres, a double-disc set with one disc of duo material and the other in quartet with bassist Scott Colley and Joey Baron, where their empathic relationship is finally and fully realized…

Jim Hall & Bill Frisell - Hemispheres (2008)  

Posted by zerumuga at Dec. 22, 2008
 Jim Hall & Bill Frisell - Hemispheres  (2008)

Jim Hall & Bill Frisell - Hemispheres
Jazz | 2008 | FLAC 426 MB | MP3 320Kbps¬266 MB | TTime 1:56:02 | Front Cover
Format: Limited Collector's Edition, Double CD

 Jim Hall & Bill Frisell - Hemispheres  (2008)
The Art Farmer Quartet featuring Jim Hall - Interaction (1963) {Atlantic Warner Japan 30XD-1039 rel 1988}

The Art Farmer Quartet featuring Jim Hall - Interaction (1963) {Atlantic Warner Japan 30XD-1039 rel 1988}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 104 Mb
Full Artwork @ 600 dpi (jpg) -> 87 Mb | 5% repair rar
© 1963, 1988 Atlantic / Warner Japan | 30XD-1039
Jazz / Bop / Cool / Flugelhorn / Guitar

This [reissue] restores to circulation a strong Atlantic date from Art Farmer's immediate post-Jazztet period and features Farmer's quartet playing standards with swinging subtlety. Interaction, from 1963, is a vehicle for the intertwining improvisations of guitarist Jim Hall and Farmer, on flügelhorn, who weaves through and around Hall's sublimely understated lines with disarming ease, elegance, and sensitivity.

Bill Frisell - Ghost Town (2000) {Nonesuch}  Music

Posted by ruskaval at Dec. 17, 2016
Bill Frisell - Ghost Town (2000) {Nonesuch}

Bill Frisell - Ghost Town (2000) {Nonesuch}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 146 Mb
Full Artwork @ 600 dpi (jpg) -> 254 Mb | 5% repair rar
© 2000 Nonesuch Records / Warner | 7559-79583-2
Jazz / Progressive Jazz / Post Bop / New Acoustic / Guitar

While Bill Frisell has released plenty of albums under his own name, this is his first true solo album – the first on which he plays all of the instruments himself. These include electric and acoustic guitar, six-string banjo, and bass, as well as the occasional looped sample. To call the music he creates on this album "introspective" would be something of an understatement. This won't come as a complete surprise to his fans – there has always been a gentle and meditative quality to his music, and even when he's gotten wild with his trio or with downtown pals like John Zorn or Vernon Reid, those moments of abrasive abandon have always seemed like detours from his more natural, but no less inventive and interesting, sweetness and good humor.

Bill Frisell - Live in Montreal (2009)  Music

Posted by robi62 at Dec. 15, 2016
Bill Frisell - Live in Montreal (2009)

Bill Frisell - Live in Montreal (2009)
Video: NTSC, MPEG-2 at 5 774 kb/s, 720 x 480 at 29.970 fps | Audio: DTS 6ch. at 1 510 kb/s, PCM 2ch. at 1 536 kb/s
Genre: Jazz, Folk | Label: EmArcy | Copy: Untouched | Release Date: 20 July 2009 | Runtime: 94 min. | 6,98GB (DVD9)

The defining characteristic of any given jazz musician is frequently his sound. The more control a player has over the nature of that sound, the more likely he is to project a distinctive musical personality.
Jim Hall - You Are Not Alone: Bossa Nova Summer Dreams (2015)

Jim Hall - You Are Not Alone: Bossa Nova Summer Dreams (2015)
MP3 320 kbps CBR | 77:19 min | 181 MB
Genre: Jazz, Bossa Nova | Label: Nagel Heyer Records

A harmonically advanced cool-toned and subtle guitarist, Jim Hall was an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vicente Gómez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three.

Jim Hall - Something Extraordinary (2015)  

Posted by DjangoTiger at March 20, 2015
Jim Hall - Something Extraordinary (2015)

Jim Hall - Something Extraordinary (2015)
MP3 CBR 320 kbps | 17 Tracks | 1:16:09 | 174 MB
Genre: Jazz | Label: Nagel Heyer Records

A harmonically advanced cool-toned and subtle guitarist, Jim Hall was an inspiration to many guitarists, including some (such as Bill Frisell) who sound nothing like him. Hall attended the Cleveland Institute of Music and studied classical guitar in Los Angeles with Vicente Gómez. He was an original member of the Chico Hamilton Quintet (1955-1956), and during 1956-1959 was with the Jimmy Giuffre Three. After touring with Ella Fitzgerald (1960-1961) and sometimes forming duos with Lee Konitz, Hall was with Sonny Rollins' dynamic quartet in 1961-1962, recording The Bridge. He co-led a quartet with Art Farmer (1962-1964), recorded on an occasional basis with Paul Desmond during 1959-1965 (all of their quartet performances are collected on a Mosaic box set), and then became a New York studio musician…
Bill Evans & Jim Hall - Undercurrent (King Records, Japan) Vinyl rip in 24 Bit/96 Khz + CD-format

Bill Evans & Jim Hall - Undercurrent (1962)
Vinyl rip in 24-bit/96kHz + 16-bit/44kHz | FLAC (Tracks) , artworks | Stereo | 576 Mb, 133 Mb | 5% RAR Recovery
Styles: Jazz, Post Bop, Modal Music| Filesonic + FilePost
United Artist Records - King Records Japan (1976)

Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.

Bill Frisell - Good Dog, Happy Man (1999) {Nonesuch} [Repost]  Music

Posted by ruskaval at Aug. 2, 2011
Bill Frisell - Good Dog, Happy Man (1999) {Nonesuch} [Repost]

Bill Frisell - Good Dog, Happy Man (1999) {Nonesuch}
EAC rip (secure mode) | FLAC+CUE+LOG -> 361 Mb | MP3 @320 -> 149 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb
© 1999 Nonesuch | 7559 79536-2
Jazz / Post Bop / Modern Creative / Guitar

Bill Frisell is like a chef or an alchemist. He brings together the characteristics and properties of diverse players to make one unique amalgam. With GOOD DOG HAPPY MAN, Frisell seeks the common ground between such musicians as bluegrass bassist Viktor Krauss, erstwhile New York downtown jazzbo keyboardist Wayne Horvitz, blue country steel guitarist Greg Liesz, and journeyman rock drummer Jim Keltner. What these very different players have in common is the inability to fit into easily defined categories or molds. Similarly, Frisell's own musical voice draws from all corners of American tradition.

Bill Frisell - Unspeakable (2004) {Nonesuch Records}  Music

Posted by ruskaval at July 21, 2010
Bill Frisell - Unspeakable (2004) {Nonesuch Records}

Bill Frisell - Unspeakable (2004) {Nonesuch Records}
EAC rip (secure mode) | FLAC+CUE+LOG -> 421 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 400 dpi (png) -> 106 Mb
© 2004 Nonesuch Records / WEA | 7559-79828-2
Jazz / Post Bop / Modern Creative / Guitar Jazz


Bill Frisell - Unspeakable (2004) {Nonesuch Records}

On UNSPEAKABLE, Bill Frisell blends his distinctively lush, cerebral guitar style with the easy feel of his 1990s Americana-themed albums and a bit of the avant-garde sensibility of his '80s work, while never directly referencing either of these phases. In fact, the overall sound of UNSPEAKABLE is something new for Frisell–with a few notable exceptions, the record leans toward groove-heavy jams. The presence of horns, Adam Dorn's synthesizer, and the 858 Strings (a violin/viola/cello trio employed throughout the album for accent and effect) brings to mind, at times, the orchestrated, cinematic funk of '70s-era Isaac Hayes ("White Fang"), and, at others, '60s lounge music ("Del Close").