VOLUME 1 - Jazz Basics is designed for the newcomer to jazz guitar. It covers all of the fundamentals and basic concepts essential for jazz improvisation, and features performances with Satoshi Inoue on guitar. Songs include Big Blues and Whistle Stop. VOLUME 2 - second video is designed for intermediate to advanced guitarists. It introduces varous ideas and methods for practicing improvisation and self-expression, and features performances with Satshi Inoue on guitar. Songs include: Waltz New, Miro, and Seseragi. In VOLUME 3, the Jim Hall Quartet plays original tunes in varous styles, including swing, bossa nova, blues and calypso. Jim analyzes each composition and explains the role of the guitar in different ensemble formats. Features performances with Scott Colley (bass), Andy Watson (drums) and Rasmus Lee (tenor sax). Songs include: Why Not Dance, Joao, Mr. Blues, and Street Dance.
This [reissue] restores to circulation a strong Atlantic date from Art Farmer's immediate post-Jazztet period and features Farmer's quartet playing standards with swinging subtlety. Interaction, from 1963, is a vehicle for the intertwining improvisations of guitarist Jim Hall and Farmer, on flügelhorn, who weaves through and around Hall's sublimely understated lines with disarming ease, elegance, and sensitivity.
Features 24 bit digital remastering. Comes with a description. On this interesting LP, Four Brothers Sound refers to the four overdubbed tenor saxes Giuffre uses throughout the session. The effect is similar to that achieved by Bill Evans on his similar effort, Conversations With Myself. The chief differences between the two might be this: where Evans layered wholly different improvisational lines to the same changes, Giuffre generally sticks to ensemble work. Also, Evans was the only performer on his set, while pianist Bob Brookmeyer and guitarist Jim Hall join Giuffre on several cuts.
Guitarist Jim Hall is the sort of musician who displays such technical expertise, imaginative conception, and elegance of line and phrase that almost any recording of his is worth hearing. Still, Concierto ranks among the best albums of his superb catalog. For starters, the personnel here is a jazz lover's dream come true…
Features 24 bit remastering and comes with a mini-description. One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe.