Although the rhythm section was more "modern" than he usually used (keyboardist Benny Aronov, bassist Malcolm Cecil, and Airto Moreira on drums and percussion), guitarist Jim Hall (who always had a harmonically advanced style anyway) has little difficulty adapting to the fresh setting. Highlights of the well-rounded CD reissue include Hall's "Simple Samba," "Baubles, Bangles and Beads," an unaccompanied "I Should Care," and Milton Nascimento's "Vera Cruz".
Released for the first time on this 1999 Challenge CD, this live set features the unusual duo of guitarist Jim Hall and valve trombonist Bob Brookmeyer, two-thirds of the 1957 Jimmy Giuffre Three. Although there are occasions when one of the musicians accompanies the other one, much of the time Hall and Brookmeyer function as equals, improvising together on a set of standards plus an ad-lib blues called "Sweet Basil." Their ability to improvise while thinking of the whole picture and their knack for spontaneously harmonizing really come in handy during this intriguing and frequently exciting outing. Among the selections reborn in the playing of Hall and Brookmeyer are John Lewis' "Skating in Central Park," "Body and Soul," "Darn That Dream," and "St. Thomas." A successful effort that should not have taken 20 years to release.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
This 1988 studio date is one of the overlooked treasures in the considerable discography of Jim Hall, possibly due to the label's low-key promotion and less than eye-catching cover art. It is easy to understand why artists like Art Farmer and Paul Desmond omitted a pianist after hearing a release such as this one, because it would only clutter Hall's soft yet complete accompaniment. Joined by Tom Harrell (heard mostly on flügelhorn), bassist Steve LaSpina, and drummer Joey Baron, this CD is a delight from start to finish. The interaction of the musicians in the opener, a lively, waltzing "With a Song in My Heart," makes it sound like they have been a working unit for years.
Pianist Russ Freeman, who produced this record, related it this way : “The last time we were (with Shelly Manne’s quintet) in San Francisco, we went to blow at some motel on the outskirts of town one afternoon. There were some other musicians there; we took turns playing. Jerry (Dodgion) was there. The afternoon wound up with Charlie and Jerry playing the blues with a rhythm section for about twenty minutes. It was one of the most memorable experiences I have ever had, and I wasn’t even playing!
Of the myriad double-live sets Miles Davis recorded in the early '70s, In Concert: Live at Philharmonic Hall is the only one documenting his On the Corner street-funk period, which is immediately obvious from the cover art. Actually, in terms of repertoire, the material from Get Up With It, Big Fun, and A Tribute to Jack Johnson each takes up a greater percentage of space, but the hard-driving rhythms and plentiful effects make it clear which of Davis' fusion aesthetics applied. In Concert begins to move Davis' live work even farther away from jazz tradition, as he largely forgoes concepts of soloing or space.