Primarily known as sidemen, pianist Pinetop Perkins and guitarist Hubert Sumlin, if not as widely recognized as the artists they've supported, do have something of a legendary status in the blues world. Thus, this CD where the two of them take the lead (providing vocals as well) is aptly titled. The material consists mainly of longtime standards such as "Got My Mojo Working," "Rock Me Baby," "Hoochie Coochie Man," and "The Sky Is Crying," all performed with the considerable skill attained through years of experience. If Perkins and Sumlin's approach to these tunes isn't exactly innovative, it is rock solid and energetic, with plenty of excellent lead work from them both. Also notable is Annie Raines's harmonica, which provides solid counterpoint to the two leads, and occasionally takes the lead on its own.
For this set, tenor saxophonist Bill Perkins is showcased in an all-star octet also including altoist Bud Shank, baritonist Jack Nimitz, trumpeter Stu Williamson, trombonist Carl Fontana, pianist Russ Freeman, bassist Red Mitchell and drummer Mel Lewis. Perk's tone is heard throughout at its coolest (influenced by Lester Young but distinctive within the style) and there are plenty of short spots for the other key voices.
Lascelles Perkins was one of the first stars of the Jamaican music scene. Studio One's leading balladeer and one of the most underrated singers from that time. Lascelles Perkins sang sentimental ballads and he scored massive local hits for Coxsone Dodd's Studio One label. Songs like 'Lonely Moments' and 'Together Forever' other big hits followed 'The Mighty Organ' song as a duet with Hortense Ellis, Alton Ellis' sister, 'Destiny' and a whole catalogue of standards or foreign songs as they were called. Lascelles could sing any song, make it seem effortless and at the same time address it in his own unique style.
Rich with harmonic texture and delicate detail, sound-sculptor Jeff Greinke’s Before Sunrise presents an exquisite arrangement of ambient chamber music. The album follows a natural progression from the composer's previous works, featuring abstract soundscapes and emotive passages of effortless beauty, created with an abundance of acoustic instruments. Piano, cello, viola, winds, brass, and vibraphone, all blend fluently with Greinke's own sampled textures, synthesizers, and other electronic elements, resulting in an expansive palette of rich timbres that underscore a nuanced display of ambient impressionism…