This 1996 single-CD reissues the complete contents of two former LPs by the Oscar Peterson Trio (consisting of pianist Peterson, bassist Ray Brown and drummer Ed Thigpen) in 1959 and 1962. Although the pianist is virtually always the lead voice, Brown and Thigpen both make strong (if subtle) contributions to the music. Highlights include "Liza," "Con Alma," "Waltz for Debby," Brown's "The Gravy Waltz" and "Yours Is My Heart Alone." An above-average release (and rather generous at 74 minutes) from the much-recorded Oscar Peterson.
I must admit I winced when I read the label information, especially the bit about "The Enchanted Melody From The Shirley Temple Show". My fears were virtually groundless, however. This is a good big band, with plenty of soloists, and an arranger (Harry Betts, late of the Kenton trombone section) who treats these television and film themes with praiseworthy perfunctoriness. ~ Alun Morgan
Early Byrd: The Best of the Jazz Soul Years contains a selection of nine tracks from Donald Byrd's mid-'60s recordings, bypassing his funkier fusions of the late '60s and early '70s. These songs – including such numbers as "Slow Drag," "Jellyroll," "Mustang," "Blackjack" and "The Dude" – feature the trumpeter at his grittiest and funkiest. Fans of his early hard bop years will still find enough improvisation here to make it interesting, while latter-day fans will find enough grooves. It's a solid introduction to one of Byrd's most prolific periods.
A landmark bit of indie funk from the 70s – one of the few records cut by Detroit keyboardist Eddie Russ, and easily the best! The album features Russ going to town on electric piano – working with a hip combo called The Mixed Bag, which features some wicked work on flute and soprano sax by Larry Nozero – and a vibe that's a lot more laidback than standard funk, or even more mainstream jazz funk too – a sweet open groove that's mighty nice all the way through! The album's really a showcase for Nozero and Russ' solos – trading back and forth effortlessly over long tunes that roll along in a sweet electric-tinged groove – long vamping rhythms that really seem to drive both players onto new heights.
Features 24 bit remastering and comes with a mini-description. Something is an album by organist Shirley Scott recorded in 1970 and released on the Atlantic label. It includes instrumental covers of several contemporary hits from artists such as the Beatles and the Jackson 5, along with the original song "Messie Bessie".
When Lonnie Smith cut Boogaloo to Beck in 2003 he made a comeback, though he was never gone in the first place. That record's deeply grooving, funky soul-jazz cut to the chase in a way many jazz organ records hadn't by taking the Blue Note aesthetic of turning the pop tunes of the day – even those as esoteric as Beck Hansen's – and turning them into vehicles for jazz improvisation. On Jungle Soul, the great organist and his quartet – Peter Bernstein on guitar, drummer and percussionist Allison Miller, and rhythm guitarist/producer Matt Balitsaris – tackle some jazz standards – "Bemsha Swing," "Willow Weep for Me," and Eddie Harris' bona fide soul-jazz classic "Freedom Jazz Dancer" – and place them against Marvin Gaye's "Trouble Man," and a handful of Smith originals and come up with a stunner.