Jazz Piano Linear Approach

This recording lives up to its title. In his prime, Phineas Newborn had phenomenal technique (on the level of an Oscar Peterson), a creative imagination, and plenty of energy. These trio sessions (with Leroy Vinnegar or Sam Jones on bass and either Milt Turner or Louis Hayes on drums) feature Newborn displaying plenty of heat and fresh ideas on compositions by Bud Powell, Bobby Timmons, Benny Golson, Duke Ellington, Thelonious Monk, Sonny Rollins, and Miles Davis (along with two of his own). This is piano jazz at its highest level.

Dick Katz, Derek Smith, Rene Urtreger - Jazz Piano International (1957) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27217}
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© 1957, 2013 Warner Japan / Atlantic / Rhino | WPCR-27217 | Jazz Best Collection 1000 Series
Jazz / Bop / Cool / Piano Trio

Features 24 bit digital remastering. Comes with a description. An unusual global session for Atlantic Records – an album that has John Lewis presenting work by three other musicians that he feels are ripe for wider discovery! The set's got some killer work from Rene Utreger – a key Parisian player in the postwar years, working here with dexterity that's almost at a Bud Powell level! Dick Katz is also featured on the set – with some nice colors and tones in the mix, similar to some of the work he'd go onto do for Atlantic and other labels. And perhaps the least known here is the British player Derek Smith – stepping out with a lyrical style that's captured surprisingly well here – and which makes the record a key addition to Smith's catalog.

A step-by-step approach to solo jazz improvisation for piano. Learn to improvise using the techniques pioneered by piano greats Lenny Tristano and Dave McKenna. This methodical approach to learning the art of solo jazz piano improvisation will free your creative sense of music. It begins with a review of chord symbol interpretation, walks through bass line development, and ends with how to play several melodic lines simultaneously in stimulating musical conversation. …

Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. A chapter on writing for the rhythm section clearly illustrates the techniques commonly used by jazz arrangers and composers.

This is definitely not a harmonic system for those who are looking for rules by which to write music. Rather this is an approach to unlocking the limitless harmonic possibilities which are unique to the piano. This approach can be developed in a personal manner through a lifetime without ever exhausting the creative possibilities. …

Many different possibilities for harmonizing the same melody are illustrated and analyzed, using techniques by such influential arrangers and composers as Duke Ellington, Billy Strayhorn, Oliver Nelson, Gil Evans, and Clare Fischer. Techniques of melody harmonization, linear writing, and counterpoint for 2, 3, 4, and 5 horns. …

Various Artists - The Complete Master Jazz Piano Series (1992) {4CD Box Set Mosaic MD4-140 rec 1969-74}
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© 1969-74, 1992 Mosaic Records | MD4-140
Jazz / Bop / Stride / Swing / Piano

During a five-year period the Master Jazz label recorded 11 swing-based pianists in solo settings. Although the label went under later in the decade, the recordings were treasured by collectors. Mosaic, on this four-CD set, brought back all of the music from the original five-volume Master Jazz Piano series, adding two unissued selections and a full album released separately of Ram Ramirez's playing. In addition to Ramirez (who is heard on 13 numbers), there are 13 performances by Earl Hines, four apiece from Claude Hopkins, Cliff Jackson, Keith Dunham, Sonny White, Teddy Wilson, Cliff Smalls and the obscure Gloria Hearn, eight by Jay McShann and two from Sir Charles Thompson. Most of these pianists (other than Hines and Wilson) rarely recorded during this period in their careers, making this box very important both musically and historically.