4CD Set, 32 page booklet. Digitally Remastered 24-Bit / 96 kHz. In 1950, after a year on tour with Dizzy Gillespies band, Yusef Lateef returned to Detroit, the city where he had grown up as a jazz musician. With his powerfully preaching tenor sax tone and fluent, driving style he established himself as an influential presence in the Motor City scene, forming his own quintet in 1955. He made his first recordings as a leader in 1957, a productive year for him, as this gripping 4-CD set reveals.
Three Blind Mice is a Japanese jazz record label founded in June 1970 as a showcase for Japan's emerging jazz performers. It has produced more than 130 albums have been released since. So far they have won the Jazz Disc Award five times in Japan. Produced by Takeshi Fujii (producer) and often recorded by the Yoshihiko Kannari, TBM created jazz records by Japanese players since the 1970s and became known for its audiophile sound quality. TBM's records captured a very important, vibrant era in the development of Japanese jazz. Stars like Isao Suzuki, Tsuyoshi Yamamoto, George Kawaguchi, Terumasa Hino and Mari Nakamoto recorded their very first albums with the label. Artists also include Shuko Mizuno's "Jazz Orchestra '73", Toshiyuko Miyama and Masaru Imada.
100 CDs provide you with the most exciting, most beautiful and most swinging recordings from this period. All-Star Swing groups with their most famous recordings. Mit Henry Allen, Roy Eldrige, Ben Webster, Coleman Hawkins, Lester Young, Johnny Hodges, Benny Carter, Fats Waller, Art Tatum, Benny Goodman, Lionel Hampton, Red Norvo, Teddy Wilson, Buck Clayton, Django Reinhardt, Jack Teagarden, Rex Stewart, Chu Berry, Charlie Christian, Louis Armstrong u.a. 100-CD-Box with original recordings.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz.
This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.
Recorded in 1989 and re-released on Original Jazz Classics in 2003, Sail Away is a fine outing by trumpeter Tom Harrell. He's joined by pianist James Williams, bassist Ray Drummond, and drummer Adam Nussbaum. A handful of guests – flutist Cheryl Pyle, guitarist John Abercrombie, tenor Joe Lovano, and soprano Dave Liebman – fill out the arrangements on ten instrumentals (two are bonus cuts from Visions). Together, Harrell and company add a contemporary spin to mainstream jazz. The ten-minute track "Dream in June" takes a number of adventurous flights of fancy without ever losing track of its base. Both Harrell and Abercrombie's solos build complex, forceful ideas against a backdrop of Nussbaum's powerful drumming, creating a dense sound that belies predictability.
Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.
2CD Japanese compilation features records of tenor saxophonists Kaoru Akimoto, Don Byas, Sil Austin, Sam Taylor, originally released in 1969.