For this 1958 LP, Anita O'Day sings standards associated with other musicians, including "Four" (Miles Davis), "Early Autumn" (Stan Getz), "Four Brothers" (Woody Herman), "Sing, Sing, Sing" (Benny Goodman and Gene Krupa) and "Peanut Vendor" (Stan Kenton). Some of the material is unusual for a singer to interpret, but O'Day, one of the top jazz vocalists of the decade, improvises when the lyrics are not that strong (or barely exist). The backup by the Russ Garcia Orchestra is not all that memorable, but the focus is entirely on the vocalist, and O'Day really comes through.
Masters Of American Music The Story Of Jazz may be the most concise informative documentary on jazz to date. Five discs consisting of six and a half hours of material is presented in concise, informative segments. Comparisons to Ken Burns Jazz are inevitable, but unnecessary. This documentary combines extremely rare footage of performances and interviews to analyze the evolution of jazz and highlight four of its icons. Originally a television 'mini-series', the release of this limited edition digitally re-mastered set is good news for the world of jazz.
Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.
Reissue with the latest 2015 DSD remastering. Comes with liner notes. Pianist Denny Zeitlin is sporting a beard on the cover of this fourth album for Columbia Records – and his music here definitely reflects a bit of a change from his earlier cleaner-cut image! Denny steps a bit outside at times – never to much so to make the album a session of avant jazz, but definitely showing the listener at the start that he's able to stretch out in the same way as some of the more adventurous pianists of his generation – yet really sound best as a master of lyrical understatement, as on his previous few records! Zeitlin's command of chords is wonderful – these blocks of color and subtle sound in his hands – inspired by Bill Evans, but taken in a whole new direction – and set up here in two different trios, with either Charlie Haden or Joe Halpin on bass, and Oliver Johnson or Jerry Granelli on drums. The real star of the show is always Denny.
Features 24 bit remastering and comes with a mini-description. The 1960's represented a very interesting time for musicians of all genres; three particular reasons began a trend for future generations of musical artists. The Beach Boys, The Beatles, and The Rolling Stones were the 3 reasons which permanently altered the musical landscape and basically made it impossible for stars of the past to remain economically viable in the present. The only 2 exceptions to the rule of course were Mel Tormé and Frank Sinatra.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Trumpeter Steve Gut's on the frontline here alongside the legendary Clark Terry and the great Dusko Goykovich – and the younger musician really manages to hold his own, and work well with the two master trumpeters! The setting is a larger group – the RTB Big Band – and all three players get a chance to solo – and the mighty Alvin Queen is in the group on drums, providing a soulful kick that maybe makes the album sparkle a bit more than usual for the RTB – although they've always had a great legacy of work with bigger name players, especially American ones. Titles include "Mr CT", "Black Triangle", "Stemi", "Summer Afternoon", "On The Road", "Some Memories", and "Blues To Clark".