The Montreux Jazz Festival (formerly Festival de Jazz Montreux and Festival International de Jazz Montreux) is a music festival in Switzerland, held annually in early July in Montreux on the Lake Geneva shoreline. It is the second largest annual jazz festival in the world after Canada's Montreal International Jazz Festival…
Jazz Sampler from Mobile Fidelity Sound Lab. Established in 1977 by Brad Miller, MFSL specializes in remastering major-label music for the "audiophile" market. CD releases began in 1984.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Pianist Hein Van Der Gaag definitely gets right to the point here – starting off the album with a great version of Horace Silver's "Ecaroh" that's filled with these descending note clusters that really open up the tune – setting up this bold, dark mood which is then balanced over the course of some more introspective tunes that follow! The approach is great – that really special way of creating a trio session that the Limetree label had during the 80s – a quality that's maybe made the imprint one of the best on the European scene at the time for piano jazz. Hein's group here features Joep Lumey on bass and Ben Schroeder on drums.
Astrud Gilberto's entry in the nicely appointed Verve Jazz Masters compilation series shows exactly why the Brazilian singer is deserving of such an accolade. In her '60s heyday, Gilberto was often derided by jazz purists for her vibrato-less "desafinado" (deliberately slightly off-pitch) singing style and deadpan, childlike voice. But the diminutive bossa nova star has since been a huge influence on dozens of jazz and pop singers. VERVE JAZZ MASTERS is less of a greatest hits package than it is a smartly balanced retrospective of many of Gilberto's best performances. Her biggest hits, "Call Me" and "Summer Samba," are not included, and her signature tune, "The Girl From Ipanema," is only represented by a live take from a 1964 Carnegie Hall concert. The collection places equal emphasis on Gilberto's bossa nova-style interpretations of jazz standards and on her signature Portuguese-language sambas.
This small group session was recorded in 1963 for Atlantic, and originally issued in 1976, two years after Duke Ellington's death. It showcases a small group that features string players in the front line. Ray Nance, the Duke's own violinist, is here as is the legendary Stephane Grappelli and violist Svend Asmussen.
Albert Beger's 5's Listening, released in 2004 on the Earsay label and following on from his trio album Hevel Havalim sees Beger in the relative safety and comfort of a quintet. In addition to Beger on tenor and soprano, the double frontline sees him teamed up with Yoni Silver - a long time collaborator of Israeli free jazz legendary pioneer Harold Rubin - on alto and bass clarinet (and organ). The rhythm section comprises guitarist Yiftach Kadan, Bass stalwart Gabriel Meyer and drummer Hagai Fershtman. The latter two are left from the previous trio.