Jazz Collection 1000

Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3961}

Miles Davis - Miles Davis At Carnegie Hall (1961) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 293 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 168 Mb | 5% repair rar
© 1961, 2014 Columbia / Sony Music Japan | SICP 3961 | MONO
Jazz / Hard Bop / Experimental Big Band / Modal Music / Trumpet

Reissue with the latest remastering. Comes with liner notes. Miles Davis at Carnegie Hall is a live album by American jazz musician Miles Davis, recorded on May 19, 1961, at Carnegie Hall and released by Columbia Records. Davis is captured with his transitional small combo featuring Hank Mobley, Wynton Kelly, Paul Chambers, and Jimmy Cobb, as well as with the Gil Evans Orchestra. It was one of only two concerts Davis and Evans performed together, and that alone makes the album necessary for collectors, but the music itself is terrific. Neither the small group nor large band performances offer any new revelations, but they both showcase a strong, powerful Davis, and the music is quite enjoyable.
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.3 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 189 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3968
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.2 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3967}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 101 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3967
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series}

Art Blakey & Les Jazz-Messengers - Au Club Saint-Germain Vol.1 (1959) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3966}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 292 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 190 Mb | 5% repair rar
© 1959, 2014 RCA / Sony Music Japan | SICP 3966
Jazz / Hard Bop

Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Weather Report - Live In Tokyo (1972) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4229~30}

Weather Report - Live In Tokyo (1972) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4229~30}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 524 Mb | MP3 @320 -> 208 Mb
Full Artwork @ 600 dpi (png) -> 259 Mb | 5% repair rar
© 1972, 2014 Columbia / Sony Music Japan | SICP 4229~30
Jazz / Fusion

Reissue with DSD remastering. Comes with liner notes. A Japanese-only album from Weather Report – recorded early in the group's career, and with some of the same sort of freedoms that Miles Davis was getting on his own double-length dates from Japan! The tracks here are quite stretched out, and often adventurous – showing a marked ability to jam heavily at one moment, get contemplative the next, and continually explore sounds on the frontiers of fusion in the 70s. The group's the "second chapter" Weather Report – with Wayne Shorter on reeds, Joe Zawinul on keyboards, Miroslav Vitous on bass, Eric Gravatt on drums, and Dom Um Romao on percussion – and titles include "Orange Lady", "Vertical Invader/Seventh Arrow/TH", "Surucucu/Lost/Early Minor/Direction", and "Tears/Umbrellas".
Weather Report - I Sing The Body Electric (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4227}

Weather Report - I Sing The Body Electric (1972) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4227}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 297 Mb | MP3 @320 -> 111 Mb
Full Artwork @ 600 dpi (png) -> 154 Mb | 5% repair rar
© 1972, 2014 Columbia / Sony Music Japan | SICP 4227
Jazz / Fusion

Reissue with DSD remastering. Comes with liner notes. Beautiful early work from Weather Report – one of the finest statements ever uttered by group, and a set that's got a bit more soul and warmth than their first album! The lineup's changed slightly at this point – still Wayne Shorter on reeds, Joe Zawinul on keyboards, and Miroslav Vitous on bass – but Eric Gravatt has replaced Alphonse Mouzon on drums, and Dom Um Romao's taken over for Airto on percussion – giving the record an even earthier feel at times!
Weather Report - Weather Report (1971) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4226}

Weather Report - Weather Report (1971) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4226}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 261 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 137 Mb | 5% repair rar
© 1971, 2014 Columbia / Sony Music Japan | SICP 4226
Jazz / Fusion

Reissue with DSD remastering. Comes with liner notes. Here we have the free-floating, abstract beginnings of Weather Report, which would define the state of the electronic jazz/rock art from its first note almost to its last. Their first album is a direct extension of the Miles Davis In a Silent Way/Bitches Brew period, more fluid in sound and more volatile in interplay. Joe Zawinul ruminates in a delicate, liquid manner on Rhodes electric piano; at this early stage, he used a ring modulator to create weird synthesizer-like effects.
Miles Davis - Live At The Fillmore East (March 7, 1970) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4184~85}

Miles Davis - Live At The Fillmore East (March 7, 1970) - It's About That Time {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4184~85}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 585 Mb | MP3 @320 -> 213 Mb
Full Artwork @ 600 dpi (png) -> 215 Mb | 5% repair rar
© 1970, 2014 Columbia / Sony Music Japan | SICP 4184~85
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. Finally, a non-bootleg issue of one of Miles Davis' greatest electric performances ever. In fact this is the very first of the Miles Davis Quintet's electric gigs – it was also one of the last four performances of this great band. Not just recorded, but performed. The band, consisting of Davis, Wayne Shorter on soprano and tenor, Chick Corea on Fender Rhodes, Dave Holland on both acoustic and electric bass, and Jack DeJohnette on drums. With percussionist Airto Moreira providing color and texture, the band became a sextet.
Miles Davis - At Plugged Nickel, Chicago (1965) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4180~81}

Miles Davis - At Plugged Nickel, Chicago (1965) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4180~81}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 664 Mb | MP3 @320 -> 253 Mb
Full Artwork @ 600 dpi (png) -> 234 Mb | 5% repair rar
© 1965, 2014 Columbia / Sony Music Japan | SICP 4180~81
Jazz / Hard Bop / Modal Music / Trumpet

Special priced-down reissue available only for a limited period of time until December 21, 2015. Comes with liner notes. This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie Hancock on piano, and Tony Williams on drums – all reaching out to really increase their craft, and work through new ideas alongside Miles' trumpet.
The Phil Woods Six - "Live" From The Showboat (1976) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3992~3}

The Phil Woods Six - "Live" From The Showboat (1976) {2CD 2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 3992~3}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 818 Mb | MP3 @320 -> 270 Mb
Full Artwork @ 600 dpi (png) -> 337 Mb | 5% repair rar
© 1976, 2014 RCA / Sony Music Japan | SICP 3992~3
Jazz / Hard Bop / Post Bop / Progressive Jazz / Saxophone

Reissue with the latest remastering. Comes with liner notes. A double-length, ultra-cool set from saxophonist Phil Woods – yet another aspect of his great body of work from the 70s, and a live date that features Woods at the head of a sextet! The group here features acoustic piano, electric guitar, bass, drums, and percussion – all used in ways that are often a bit more organically building and spacious than some of Phil's more intense Rhythm Machine albums – showing a new sensitivity in Woods' music, but one that still has plenty of room for searing, searching solo moments! Titles include "Django's Castle", "A Little Peace", "Brazilian Affair", "I'm Late", "Superwoman", "High Clouds", "How's Your Mama", and "Rain Danse".