Cut during the fall of 1972, Electric Light Orchestra II was where Jeff Lynne started rebuilding the sound of Electric Light Orchestra following the departure of Roy Wood from the original lineup. It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album's lean textures. Lynne, drummer Bev Bevan, bassist Mike D'Albuquerque, and keyboardist Richard Tandy comprise the core of the band, with two cellists and a violinist sawing away around them.
It’s been a long 16 years since Bon Jovi was last compiled, when Cross Road arrived for the holiday season of 1994, two years after Keep the Faith capped off a near-decade long run of dominance for the Jersey rockers. As it turned out, it was the first act of Bon Jovi’s career. A subdued second act followed in the ‘90s, with Jon Bon Jovi flirting with a solo career once again before returning to the fold late in the decade, with the band setting out for a decade of professionalism, sometimes cresting into the charts – usually with the assist of a canny country crossover – sometimes not. Greatest Hits condenses the highlights of this journey in a mere 16 songs, just two longer than Cross Road – its simultaneously released cousin, Ultimate Greatest Hits, adds a disc with 12 additional songs – and two of those are new tunes that are unlikely to show up on any subsequent best of.
Richard Marx's Greatest Hits performs a valuable service for his fans, collecting all of his hit singles – "Don't Mean Nothing," "Should've Known Better," "Endless Summer Nights," "Hold on to the Nights," "Satisfied," "Right Here Waiting," "Angela," "Children of the Night," "Keep Coming Back," "Hazard," "Take This Heart," "Now and Forever" – on one disc. For both the casual and the longtime fan, this is a blessing, since Marx's albums were usually uneven, featuring a few strong cuts surrounded by filler. Greatest Hits cuts away the chaff, leaving behind on the best cuts, resulting in an ideal career summary of this popular MOR pop/rocker.