Released in 2003, The Journey Goes On is the band's seventh studio album for metal act featuring dual vocalists, Dougie White (Rainbow/Malmsteen) & John Sloman (Lone Star/Gary Moore), the followup to 2000's 'Nowhere To Hide'. Includes guitarist Dennis Stratton (Iron Maiden) & founding members Chris & Tino Troy. The Journey Goes On is a first rate melodic rock album, and should especially appeal to fans of Demon, Ten, Cornerstone, Magnum, and John Payne-era Asia. If you're expecting a NWOBHM revival album though, you're going to be disappointed.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
This is Roland Grapow's first solo album outside the ranks of his band Helloween. For this album he is joined by fellow Helloween band members Uli Kusch and Markus Grosskopf as well as keyboardist Ferdy Doernberg from Axel Rudi Pell fame. The album while not dissimilar to Helloween's work is in more of a traditional neo-classical vein, and carries a strong Malmsteen vibe with it.
A sequel to Matthew Sweet and Susanna Hoffs' 2007 stroll through the '60s was perhaps inevitable, at least as inevitable as the decision to devote Under the Covers, Vol. 2 to the super sounds of the '70s.
Wings of Heaven is the seventh studio album by the English rock band Magnum, released in 1988. The original choice of producers for Wings of Heaven was Roger Taylor and Dave Richards, who had produced Vigilante. This was not realised because of conflicting schedules. Albert Boekholt was suggested at Wisseloord Studios, the Netherlands. The album was mixed at Sarm West Studios in London in January 1988. One song was announced, "That's How The Blues Must Start", but was dropped from the album. The album is certified Silver in the UK.
Beatles fans love to explain that the key to the successful partnership of John Lennon and Paul McCartney was their contrasting songwriting personalities – Lennon was the tongue in cheek sardonic wit, McCartney the earnest balladeer. On John Pizzarelli Meets the Beatles, a sharply conceived tribute which sets the duo's classics in a jazz trio with big-band arrangements, the singer/guitarist hits the mark more often when he's taking on the Lennon persona. He approaches "Cant' Buy Me Love," "When I'm 64," and "Get Back" with a playful wink, jumping off his speedy melody lines and the rising brass sections for extended improvisational tradeoffs with pianist Ray Kennedy, and adding colorful touches like scatting and even ad libbing his own lyrical verses based on the originals. Likewise, he attacks the all-instrumental "Eleanor Rigby" with a jumpy, swinging aggression. Pizzarelli, however, becomes overly schmaltzy in presenting ballads like "You've Got to Hide Your Love Away" and "Long and Winding Road" too seriously, with maudlin, straightforward arrangements that grind the party to a halt. The one exception is the more percussive "Oh Darling," where his intense vocal helps the tune rise above the hotel lounge mentality.