A nine-member funk and soul aggregation co-led by Kaiya Matthews and Michael Judkins, the ADC Band recorded for Cotillion in the late '70s and early '80s. At their best, the cuts utilized the funk touches of Parliament/Funkadelic and Slave. The biggest hit was 1978's "Long Stroke," which made it to number six on the R&B charts.
This is an enjoyable, somehow spontaneous recording of several of Bach's works for a pair of harpsichords, with the great Japanese Bach conductor Masaaki Suzuki joined by his son Masato. The high spirits of the elder Suzuki here could be chalked up to any combination of several factors. One might be freedom from the rigors of his complete Bach cantata cycle, just recently completed when this album appeared in 2014.
Listening to this irresistibly joyful and magnificently musical set of Bach's Brandenburg Concertos and Orchestral Suites, one is immediately struck by two thoughts. First, Masaaki Suzuki and the Bach Collegium Japan have been wasting their time concentrating on Bach's dour cantatas, and second, Bach himself was wasting his time writing his melancholy church music when he could have been composing infinitely more cheerful secular music. While Suzuki and his crew have turned in superlatively performed, if spectacularly severe recording of the cantatas, they sound just as virtuosic and vastly more comfortable here.
Australian band SNAKES ALIVE was a short-lived band project consisting of Michael Vidale (bass), Peter Nykyruj (drums), Alex Ditrich (keyboards), Boris Peric (guitars), Jonas Thomas (sax, flute, vocals) and Colin Campbell (trumpet). Their sole album was recorded and privately released in a limited number of copies back in 1974…