Reissue with the latest remastering. Comes with liner notes. While the phenomenal success of George Benson’s Breezin’ (1976) album may have fattened his wallet; it led the guitarist down a path that dismayed jazz critics worldwide. Indeed, the bulk of Benson’s albums over the past 20 years have featured considerably less jazz and, unfortunately, more pop. Not so with The George Benson Cookbook (1966). This sizzling CD features the then young, hotshot string-picker on 14 swingin’ bebop/soul-jazz tracks. Benson kicks things off in rapid fashion with the aptly titled, "The Cooker." Not only does this track feature blazing licks from Benson, but baritone saxophonist Ronnie Cuber and organist Lonnie Smith also weigh in with tasty solos.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Finland's premier saxophonist Koivistoinen ventured to New York City for this CD and employed some of the finest jazz players, including trombonist Conrad Herwig, trumpeter Randy Brecker, pianist David Kikoski, bassist Ron McClure, drummer Jack DeJohnette, and guitarist John Scofield (on four cuts). Bugge Wesseltoft plays rather innocent, unobtrusive sythesizer on three other pieces. The horn charts are smartly arranged by the tenor and soprano saxophonist, and played to perfection. The music is contemporary, bop-based, modernistic, and well-swung by DeJohnette's personalized chatty signature rhythms.
"Christmas Memories" is the second Christmas album and 57th album by singer Barbra Streisand, released in 2001. The album reached #15 on the Billboard 200 albums chart and has been certified as Platinum, her 28th platinum disc in America. Sales have now reached 1 million copies in the USA.
Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan. Amazingly enough, given that these are arguably Davis' two greatest electric live records, they were recorded the same day. Agharta was performed in the afternoon and Pangaea in the evening. Of the two, Agharta is superior. The band with Davis – saxophonist Sonny Fortune, guitarists Pete Cosey (lead) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume – was a group who had their roots in the radically streetwise music recorded on 1972's On the Corner, and they are brought to fruition here.
With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.