Japan Desktop

Sonny Stitt - Stitt Plays Bird (1963) {Atlantic Japan WPCR-25116 Mini LP 24bit remastered rel 2006}

Sonny Stitt - Stitt Plays Bird (1963) {Atlantic Japan WPCR-25116 Mini LP 24bit remastered rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 316 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 600 dpi (png) -> 41 Mb | 5% repair rar | 24bit remastered | Mini LP
© 1963, 2006 Atlantic / Warner Music Japan | WPCR-25116
Jazz / Bebop / Bop / Saxophone

Special Feature / Bonus Track: 2 bonus tracks. After years of staying free of comparisons with Charlie Parker, Sonny Stitt steps confidently into a set of compositions by the late, great one – sounding really wonderful in his own interpretations of these classics! The album's got the same simple and focused still as Stitt's best work on Roost – and although the compositions are all by Bird, the overall sound is still very much Sonny's own – especially given the wonderful sense of space and timing brought to some of the performances! The group's an unusual one, especially for Stitt – and features John Lewis on piano, Jim Hall on guitar, Richard Davis on bass, and Connie Kay on drums – all offering a slightly more modern take on Bird than might be expected – especially through the angular lines on Hall's guitar.
The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}

The Duke Pearson Nonet - Honeybuns (1965) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27121}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 191 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar | 24bit remaster
© 1965, 2012 Warner Japan / Atlantic / Rhino | WPCR-27121 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Post Bop / Piano

Features 24 bit digital remastering. Comes with a description. Other than "Our Love" (a familiar classical theme adapted to American pop music by Larry Clinton), all six selections are originals by the pianist. Utilizing a nonet that includes trumpeter Johnny Coles (who does his best to be soulful on "Honeybuns"), trombonist Garnett Brown, flutist Les Spann, altoist James Spaulding, tenor saxophonist George Coleman, baritonist Pepper Adams, bassist Bob Cranshaw, and drummer Mickey Roker, Pearson performs music in a style that would have fit in quite well on Blue Note. Most memorable among his originals is "Is That So." This is not an essential date, but it is nice to have this rarity back in print again.

Deep Purple - Infinite (2017) {Limited Edition, SHM-CD, Japan}  Music

Posted by popsakov at Oct. 16, 2017
Deep Purple - Infinite (2017) {Limited Edition, SHM-CD, Japan}

Deep Purple - Infinite (2017) {Limited Edition, SHM-CD, Japan}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 482 Mb | MP3 CBR320 ~ 157 Mb
Full Scans (JPG, 600 dpi) ~ 85 Mb | RAR 5% Recovery
Hard Rock, Classic Rock | Victor #VIZP-149

No one, least of all Deep Purple themselves, expected the success of 2013's Now What?! It placed at number one on four European album charts and in the Top Ten of six other countries. It also sold exceptionally well: It was certified Gold in Poland, Germany (where it sold over 100,000), the Czech Republic, and Russia – it was the band's first album to crack the U.K.'s Top 40 charts in 20 years. For InFinite, Deep Purple re-enlisted producer Bob Ezrin. At this point, he is almost a sixth member. This the longest running lineup in their history. InFinite is a heavier and more expansive record than its predecessor, but it's not as consistent. Ian Gillian is in excellent form…

Sarah Brightman - Symphony (2008) [Limited Edition, Japan]  Music

Posted by v3122 at Oct. 13, 2017
Sarah Brightman - Symphony (2008) [Limited Edition, Japan]

Sarah Brightman - Symphony (2008
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
EMI, TOCP-70460 | ~ 410 or 149 Mb | Scans(jpg) -> 3.96 Mb
Pop, Classical, Contemporary, Vocal

Sarah Brightman took five years between 2003's pop exotica outing Harem and Symphony. The over-the-top gothic excess in the artwork here seems like a cousin to Meat Loaf's Bat Out of Hell II, so much so that it feels like legendary theatrical rock excess king Jim Steinman – a former associate of Brightman's longtime producer Frank Peterson (who wrote or co-wrote five of these tunes) – is haunting the recording…
Charles Lloyd - Forest Flower: Charles Lloyd At Monterey (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27053}

Charles Lloyd - Forest Flower: Charles Lloyd At Monterey (1966) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27053}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 262 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1966, 2012 Warner Japan / Atlantic / Rhino | WPCR-27053 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. When Charles Lloyd brought his new band to Monterey in 1966, a band that included Keith Jarrett on piano, Jack DeJohnette on drums, and the inimitable – though young – Cecil McBee on bass, no one knew what to expect. But they all left floored and this LP is the document of that set. It is difficult to believe that, with players so young (and having been together under a year), Lloyd was able to muster a progressive jazz that was so far-reaching and so undeniably sophisticated, yet so rich and accessible. For starters, the opening two title tracks, which form a kind of suite (one is "Forest Flower-Sunrise," the other "Sunset"), showcased the already fully developed imagination of Jarrett as a pianist.
Lee Konitz - Stereokonitz (1968) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4215}

Lee Konitz - Stereokonitz (1968) {2014 Japan Jazz Collection 1000 Columbia-RCA Series SICP 4215}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 220 Mb | MP3 @320 -> 81 Mb
Full Artwork @ 300 dpi (jpg) -> 19 Mb | 5% repair rar
© 1968, 2014 RCA / Sony Music Japan | SICP 4215
Jazz / Cool / Post Bop /Saxophone

Reissue with the latest remastering. Comes with liner notes. Lee Konitz has had many opportunities to record with European artists over the decades, but this session is a bit unusual, in that all the compositions are by bassist Giovanni Tommaso and Konitz doesn't stick strictly to alto saxophone. Joining them are pianist Franco D'Andrea (with whom Konitz worked on a number of Philology CDs decades later), trumpeter Enrico Rava and drummer Gegé Munari.
Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}

Charles Lloyd - Soundtrack (1968) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27158}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 187 Mb | MP3 @320 -> 94 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar | 24bit remaster
© 1968, 2012 Warner Japan / Atlantic / Rhino | WPCR-27158 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Late in 1967, bassist Cecil McBee left Charles Lloyd's band and was replaced by Ron McClure. The jazz critics and public alike all held their breaths, since Lloyd's band had taken the entire world by storm on the festival circuit; playing Town Hall would surely be an acid test not only of McClure's ability to fill such a big space, but the band's as well – to see if the fire would continue to burn as it had previously. They needn't have worried. The gig, which is presented here as Soundtrack, stomps with all the fury of a live gospel choir trying to claim Saturday night for God instead of the other guy.
The Charles Lloyd Quartet - Love-In (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27029}

The Charles Lloyd Quartet - Love-In (1967) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27029}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 277 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 300 dpi (jpg) -> 16 Mb | 5% repair rar | 24bit remaster
© 1967, 2012 Warner Japan / Atlantic / Rhino | WPCR-27029 | Jazz Best Collection 1000 Series
Jazz / Hard Bop / Modal Music / Saxophone

Features 24 bit digital remastering. Comes with a description. Issued in 1966, Love-In was the follow-up to the amazing Dream Weaver, the debut of the Charles Lloyd Quartet. Love-In was recorded after the 1966 summer blowout and showed a temporary personnel change: Cecil McBee had left the group and was replaced by Ron McClure. McClure didn't possess the aggressiveness of McBee, but he more than compensated with his knowledge of the modal techniques used by Coltrane and Coleman in their bands, and possessed an even more intricate lyricism to make up for his more demure physicality. Of the seven selections here, four are by Lloyd, two by pianist Keith Jarrett, and one by Lennon/McCartney ("Here, There and Everywhere").

Paul Gilbert - Acoustic Samurai (2003) {Limited Edition, Japan}  Music

Posted by popsakov at Oct. 6, 2017
Paul Gilbert - Acoustic Samurai (2003) {Limited Edition, Japan}

Paul Gilbert - Acoustic Samurai (2003) {Limited Edition, Japan}
EAC Rip | FLAC (Tracks) + Cue + Log + m3u ~ 447 Mb | MP3 CBR320 ~ 154 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Acoustic Rock, Guitar Virtuoso | Universal Music #UICE-9009

Acoustic Samurai is an acoustic live solo album by Paul Gilbert, guitarist of the heavy metal band Racer X and of the hard rock band Mr. Big. It was recorded live in Tokyo's Hard Rock Cafe and released in 2003.

Scorpions - Return To Forever (2015) [Japan Press, Blu-spec CD2]  Music

Posted by Andi_Deris at Oct. 4, 2017
Scorpions - Return To Forever (2015) [Japan Press, Blu-spec CD2]

Scorpions - Return To Forever (2015) [Japan Press, Blu-spec CD2]
EAC Rip | FLAC: Image+Cue+Log | 535 Mb | MP3 CBR 320 kbps | 177 Mb | Scans | 119 Mb | Time: 01:11:07
RCA/Sony Music | SICP-30719
Hard Rock, Heavy Metal

Return to Forever is the eighteenth studio album by German rock band Scorpions. It was released on February 20, 2015 in Europe and on February 23 in North America. As the opposite usually happens, the brand-new SCORPIONS studio album "Return To Forever" has appeared later in Japan - just three days ago - however worth the wait as it's manufactured on the superior Blu-Spec CD2 format, and apart of including the European deluxe edition 4 bonus, adds 2 exclusive to this release. This "Return To Forever Japanese Blu-Spec CD2" worth the extra pennies. The Digipak is velvet-textured, and you have two exclusive bonus tracks: the kickin' hard rocker "One And One Is Three" very much in the '84 Scorpions vibe (and a crime that it is not included in the regular CD), plus the hooky "Crazy Ride", a melodic rocker in the pure Schenker tradition.