Aerosmith prove that a band can be inspired by the blues and play the blues without ever feeling like a blues band. Then again, the nature of the blues is that every musician who plays it stamps his or her own identity on a set of familiar chord changes and songs. While it might not feel like the blues, Aerosmith do indeed stamp their identity on each track on their long-promised blues album, the atrociously named Honkin' on Bobo. Other rockers who have cut full-length blues albums have always played the music with a kind of scholarly reverence, taking care to pay tribute to their influences. Not Aerosmith. They turn up the amps and cut loose, playing slick and sleazy blooze-rock that feels indebted to second-generation blues-rock instead of blues forefathers.
East of the Sun, West of the Moon was a small surprise, too quickly destined for the cut-out bins considering the way a-ha finally went after Hunting High and Low. This is a nicely crafted collection of songs, performed and sung beautifully, with lots of echoes and suggestions tucked into the music. While not an album one can discuss at length, it's an album that's a pleasure to listen to and one that deserves a better reception than the one, unfortunately, that it seems to have gotten.
A beautiful album of spiritual soul and Brazilian influenced jazz from Azar Lawrence – and a pretty rare one we're thrilled to have! Lawrence is a stellar sax player with a sound that's a bit like Gary Bartz, which means that he fits in perfectly with the Fantasy-era Prestige Records sound – but the sounds on this set are uncommonly rich and globally influenced. The set's predominantly acoustic, with lots of modal grooves in kind of a Strata East vein – and angular post-Coltrane playing that's very similar to Bartz's work on the Libra album from his early days. Players include Raul De Souza on trombone, Ron Carter on bass, Billy Hart on drums, Dom Salvador, who is really allowed to shine on piano on a few tracks, and drummer & percussionist Guilherme Franco, who brings a world of wonderful percussion on a couple of numbers.
The debut album by the heavy metal band Killers, led by Iron Maiden's ex-vocalist - Paul Di'Anno. Coming together in 1991, Killers was one of the first metal super groups to exist. Featuring members from bands including Iron Maiden, Tank, Raven and Battlezone, they were hailed by the press as the 'Natural successor to Judas Priest'. With their album ""Menace to Society"" awarded Metal Hammer's best new album of 1994 and a world tour which included headlining the famous Wacken Festival in Germany, Killers represent all that is British Metal at it's very best. ""Murder One"", recorded in USA in the line-up: Paul Di'Anno - vocal, Steve Hopgood - drums, Cliff Evans - guitar, Gavin Cooper - bass guitar, Nick Burr - guitar, was officially released in 1992. Acclaimed by the press worldwide, the album became a classic for lovers of British metal. The album includes two cover tracks: ""Children of the Revolution"" ( T. Rex) and ""Remember Tomorrow"" (Iron Maiden).
Reissue with latest remastering. Comes with new liner notes. The first of two sets recorded during a weekend in 1961 features the Miles Davis Quintet at a period of time when Hank Mobley was on tenor and the rhythm section was comprised of pianist Wynton Kelly, bassist Paul Chambers, and drummer Jimmy Cobb. What is most remarkable is the way Kelly fits into this particular blend of the Miles band. Kelly's interplay with Chambers is especially brilliant, because his sense of blues phrasing inside counterpoint harmony is edgy and large, with left-hand chords in the middle register rather than sharp right-hand runs to accentuate choruses.
Violinist Jenny Scheinman was a full-fledged Left Coaster before transplanting herself to the fertile artistic ground of Brooklyn, so it was only natural that she return to her former home turf to record her first CD as a leader at Oakland's venerable Yoshi's nightspot. On this debut release she seems to have emerged fully formed as a bandleader and compelling soloist. But given Scheinman's extensive experience preceding the September 1999 recording date, playing with everyone from Rova Saxophone Quartet to Charming Hostess, her skillfulness shouldn't be surprising.
Cardboard sleeve reissue from Kevin Ayers features remastering in 2014 and the high-fidelity SHM-CD format (compatible with standard CD players). The cover faithfully replicates the original UK LP artwork. Includes an obi featuring design of original Japanese limited edition's LP (subject to change). Comes with a description and lyrics. Part of eight-album Kevin Ayers cardboard sleeve reissue series features the albums, "Joy Of A Toy +5," "Shooting At The Moon +6," "Whatevershebrings Wesing +10," "Bananamour +7," "Odd Ditties +3," "Yes We Have No Mananas. So Get Your Mananas Today +9," "Rainbow Takeaway +7," and "That's What You Get Babe +4." Bonus tracks.