2010 mini album from the veteran Britpop outfit fronted by Tim Booth. Produced by Lee 'Muddy' Baker, The Night Before seems fearless in comparison to its predecessors, a product, no doubt, of the way it was conceived: the band set up an ftp site to which they all contributed, downloading and updating each other's efforts at various intervals whilst Baker knocked things into shape. This "virtual" recording process (which eventually led to recording sessions in Brighton and Oswestry), was presumably inspired by the band's history of working with Brian Eno and has brought out the best in James, the results proving as diverse and intriguing as anything the band have attempted before.
Retreating from the experimental tendencies of Laid and Wah-Wah, James return to straight-forward anthemic folk-rock with Whiplash. Although the album isn't a retread of Seven or Gold Mother, it is considerably more rock-oriented than its two predecessors, particularly because the group has incorporated some elements of Brit-pop into their music.
Sweet Baby James (1970). James Taylor's second album, Sweet Baby James, released in early 1970, is the album that secured his spot among the most important songwriters of the 70s. The sweet, bluesy acoustic guitar and vocals on this album are authentic and interesting - this is a record that has everything from a blues inspired jam, packed with a big band horn section ("Steamroller Blues"); to a gospel revival-like track ("Lo And Behold"); to a traditional nursery rhyme made into a folk ballad ("Oh, Susannah"). And, of course, the album featured "Fire and Rain," which reached #3 on the Billboard Hot 100. "Country Road" was another Top 40 hit that struck a chord with music fans, especially because of its attractive mixture of folk, country, gospel, and blues elements, all of them carefully understated and distanced…
This collection of 25 tracks recorded by legendary blues singer Nina Simone includes some of her best material including "Black Is The Color Of My True Love's Hair." UK compilation featuring 25 tracks from the late jazz-soul diva. Includes 20 page booklet with rare photographs.
Irish flutist James Galway is a superb interpreter of the classical flute repertoire and a consummate entertainer. His silky tone and masterful technique, charismatic personality, and varied programs appeal to audiences of all ages and musical tastes.
The Bee Gees Gold, Vol. 1 compiles the group’s biggest singles from their first five years of hit records, beginning with 1967’s “New York Mining Disaster 1941” and ending with 1971’s “How Can You Mend a Broken Heart.”