A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Splitting his time between the electric and acoustic pianos and a bit of organ, Jarrett teams up with drummer/percussionist Jack DeJohnette in a series of experimental duets, his only electric session for ECM. The all-acoustic title number ranges all over the lot, from tootling on a bamboo (?) flute to the energizing barrelhouse gospel riffs that would bloom in the solo concerts.
Jack Russell's Great White represents the next phase of a legacy. Rather than look backwards and merely attempt to relive the multi-platinum hard rock entity s storied origins in Great White, Jack Russell set his sights on the future. Now, with old Great White bandmate, Tony Montana in tow, this group has a sharp, soaring and slick new album ready, boasting the bluesy hard rock stomp that made Russell a star in the first place.