In terms of the scale of his compositions, John Adams' career is somewhat anomalous for a contemporary composer. While the usual pattern tends to be for a composer to begin a career writing smaller pieces (which have a far likelier chance of being performed) and then expanding to larger forms as his or her reputation grows, Adams (with very few exceptions) was writing large-scale operas and orchestral and choral works starting in the early '80s and didn't begin devoting himself to chamber music with any regularity until the mid-'90s.
Of Rossini’s thirty-nine operas Il barbiere di Siviglia is the only one to have remained in the repertoire since its composition. When the composer met Beethoven in Vienna the great man told Rossini to only compose buffa operas like Il Barbiere. Verdi was also a great admirer of the work as he was of Rossini’s opera seria and particularly his William Tell. Il Barbiere was one of the works Rossini squeezed in during his contract as Musical Director of the Royal Theatres at Naples and where he was supposed to present two new works every year.
Dedicated to the Margrave of Brandenburg, J. S. Bach's Brandenburg Concertos are timeless works of art - their variety of styles and instrumental combinations reveal inspiration of the highest order. Karl Richter's Brandenburg Concertos are perfectly paced, clear textured and undeniably stylish. There's a level of sophistication in this performance which few recordings are able to equal. The Munchener Bach-Orchester has a sound that is in the German tradition and thoroughly idiomatic.