New from Jessie J - music video for the song "It's My Party". The track is the second single from the singer's second studio album. The official release of the single in the UK is scheduled for September 15.
In four short years, contemporary/smooth jazz tenor saxophonist Jessica Arellano (Jessy J) has made quite a splash. Hot Sauce, her Heads Up International debut – and fourth album overall – was produced by Paul Brown, and includes guest appearances from heavyweights Joe Sample, drummer Harvey Mason, guitarist Ray Parker Jr., and vocalist Saunders Sermons. Arellano wrote or co-wrote eight of the album's ten compositions.
Who You Are is the debut studio album by English singer-songwriter Jessie J, released on 28 February 2011. Due to high demand and interest from fans, the release advanced by a month from 28 March, as previously planned. It débuted at number two on the UK Albums Chart selling 105,000 copies in its first week. The album débuted in the US at number 11 on the Billboard 200 with first-week sales of 34,000 copies. A re-release of Who You Are (variably called the "Deluxe Edition" or the "Platinum Edition") was released on 14 November 2011. It includes 3 bonus tracks: Jessie's second UK #1 single "Domino", "My Shadow" and "Laserlight", a collaboration with David Guetta. Who You Are is the first album by a British female artist in history to produce six or more top ten hits in UK…
True Love. With these two perfectly chosen words, Jessy J has, in unveiling the title of her second Peak Records release, captured the blazing emotions of her legions of fans across the U.S. and Latin America who made her the breakout genre star of 2008.
A full 25 favorites from this institution of a singer-songwriter, whose songs have been borrowed by Clapton, Santana, Skynyrd and so many others. You get Cocaine; After Midnight; Lies; Call Me the Breeze; Sensitive Kind; Magnolia; Crazy Mama; Cajun Moon, and more!
Norwegian folk musician Sinikka Langeland, singer and player of the kantele (the Finnish table harp) is a distinctly non-traditional traditionalist, redefining "folk" in successive projects. 'Maria's Song' finds her in the company of two distinguished classical musicians - organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter - and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of J S Bach. Langeland made a lot of friends with her sparkling ECM debut Starflowers: "There are jewels everywhere on this arresting example of ego-free music-making. One of the albums of this or any other year" raved the Irish Times. Where Starflowers brought Langeland into the orbit of jazz improvisers, Maria's Song is a meeting and cross referencing of folk and 'classical' energies, and also a righting of historical 'injustice': Religious folk songs are amongst the most distinctive elements of the Norwegian folk tradition, yet the Virgin Mary rarely appears in them. Once a much-worshipped figure in the Far North she was, as Sinikka puts it, "reformed" away in 1537, so this album brings Maria back into the music. It was recorded in the beautiful Nidaros Cathedral of Trondheim, famous for its Baroque organ heard here.
The Dutch performer Bob van Asperen is a recognized specialist in the realm of performance on period keyboard instruments. Born and raised in Amsterdam, Asperen completed a conventional university course of study in music before embarking on lessons with harpsichord master Gustav Leonhardt starting in 1967; Asperen made his debut in Haarlem in 1968. Also in 1968 Asperen joined the group Quadro Hotteterre, of which he was a member until 1984. Asperen completed his studies in 1972 after finishing a course in organ at the Amsterdam Conservatory given by Albert de Klerk. Afterward he accepted a teaching post at the Royal Conservatory in The Hague, which he held until tapped to replace the departing Gustav Leonhardt at the Sweelinck Conservatory, prompting Asperen's return to Amsterdam. His teaching duties in the Netherlands have not restrained him from touring internationally; Asperen has given master classes elsewhere in Europe and also Canada, the United States, and Australia.
Maria João Pires “shapes and colours every phrase, and with immaculate taste, and she makes sure the phrases end as eloquently as they begin,” wrote Gramophone in 1974. “She conveys not just the details but the relevance of every note to the whole … Best of all, she communicates everything she has discovered about the music, and it is worth having.” This Portuguese pupil of Wilhelm Kempff, Pires was one of the artists who defined the Erato label in the 1970s and 1980s. This 5-CD box gathers together the recordings she made over the period from 1976 to 1985 and it reflects the consistent focus of her repertoire, with its special emphasis on Austro-German composers of the Classical and early-Romantic periods. Embracing solo works, piano duets and concertos, it contains works by Mozart, Schumann, Beethoven, but also by Bach and Chopin.