2 Lados - o melhor dos grandes compositores do Brasil. «2 Lados» reune o melhor que a musica brasileira ja apresentou ao mundo. Ivan Lins, Milton Nascimento e Toquinho em discos duplos apresentam o melhor da sua composicao e interpretacao. «2 Lados» e best of e songbook numa mesma embalagem. Cada um dos CDs duplos da coleccao e focado num compositor que, como e tradicao na MPB, tambem e interprete de grandes sucessos. O CD1 exibe o seu lado cantor das proprias composicoes e de cancoes de outros colegas da musica brasileira. O CD 2 complementa o perfil mostrando um outro lado de sua obra na voz dos maiores interpretes da MPB. 28 faixas em cada um dos 17 titulos, a coleccao revela os «2 Lados» de artistas como Tom Jobim, Ivan Lins, Toquinho, Milton Nascimento, Chico Buarque, Vinicius de Moraes e Caetano Veloso.
In Concert – Carnegie Hall is George Benson's final recording for Creed Taylor's CTI label, and was mostly recorded on one night in 1975. There was some additional recording done at Rudy Van Gelder's studio in 1976, where Taylor replaced the original rhythm section of Wayne Dockery on bass and Marvin Chapell on drums with Will Lee and Steve Gadd, for whatever reason Taylor had at the time. Regardless, this is a solid "live" effort with Benson cooking on all burners, beginning with a monster version of Dave Brubeck's "Take Five," which had been cut on an earlier album and had become a staple in the live set.
Recorded live at Waterfront Hall, Belfast, Ireland, in 2000, these ten tracks are pleasant re-workings of guitarist and vocalist George Benson's jazz-pop hits of the '70s. To his credit, Benson isn't just a human jukebox re-creating well-known songs and sidestepping any spontaneity that derives from a live performance. For instance, his band, which includes keyboardist Joe Sample, gets to stretch out a bit, showing off their improvisational skills on "This Masquerade," "On Broadway," and particularly on Sample's "Deeper Than You Think." Alongside his seven-member group, Benson employs the BBC Big Band and musicians from the Ulster Orchestra who provide a real lushness that enhances the music instead of utilizing the cheesy synthesizer strings that often marred some of his work in the '80s and '90s. Fans of Benson's early sessions for Columbia or A&M may not rush out to purchase this, but those who favor Breezin' will find some pleasant moments here.
Bring together an all-star lineup of singers and musicians, match them with accessibly romantic melodies and radio-friendly arrangements, and the results will either be lightweight pabulum or superb high-quality pop music. In the case of producer Jason Miles' A Love Affair, it's unquestionably the latter. Even after 30 years on the world music scene, Brazilian musician/composer Ivan Lins may not have had a high profile. However, as this tribute recording demonstrates, his music is as fine as anything that has come out of his native country since the bossa nova heyday of the early '60s. Taken individually, each of these songs is a piece of joyous musical exuberance. Taken as a whole, this recording is better than an hour with any radio station you're going to find on the dial or online.
George Benson may have changed labels with That's Right, but he didn't change his approach. Like his other '90s albums, That's Right is jazz-inflected quiet-storm soul. It's quietly funky and always grooving, whether he's playing a light uptempo number or a silky ballad. As always, Benson's tone is smooth and supple – it's a pleasure to hear him play, even if the material he has selected doesn't always showcase his ample skills. In fact, the unevenness in material is the very thing that keeps That's Right from being on par with Benson's early '80s contemporary soul records…