It has taken eight years and over 130 CDs but FSM finally releases a score by the great Ennio Morricone: Guns for San Sebastian (1968), commonly known as a western but more accurately a historical adventure set in Mexico circa 1750. The film stars Anthony Quinn as an outlaw who is mistaken for a priest and protects a humble village against a violent tribe of Indians; Charles Bronson is the antagonist and Anjanette Comer the love interest. Filmed in Mexico, the international production is a sunburnt, action-packed look at a violent time in colonial Latin American history. The late 1960s were an especially fertile period for Ennio Morricone, whose prolific genius has enhanced hundreds of films for over 40 years. By 1968 Morricone had already scored the groundbreaking Dollars trilogy for Sergio Leone—establishing the revolutionary style for the "spaghetti" westerns—and Guns for San Sebastian preceded their western masterpiece, Once Upon a Time in the West.
The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.
Produced, arranged, and composed by Eric Serra, the soundtrack to director Luc Besson's smash movie La Femme Nikita was the third collaboration between the pair, following Subway and The Big Blue. Many of the soundtrack's nearly two dozen cuts are brief (less than a minute and a half) and, therefore, offer little outside of the context of the film (although the simple, piano-based "The Last Time I Kiss You" is an exception). Like the film, the music from it is highly stylized, but it lacks the film's heart and is, instead, a mostly cold, bloodless collection of synthesizer noodlings and generic guitar riffs (with the odd saxophone). Some of the better moments include the introductory "Rico's Gang Suicide," the hypnotic swagger of "NPOKMOP," the metallic surf guitar of "Let's Welcome Victor," and the genuinely moving "We Will Miss You".
A movie as appealing and savory as the heaping piles of dinosaur sh*t that pass for its sight gags, 1980's Caveman ranks among the worst bombs Hollywood ever produced. Though a vehicle for Ringo Starr, the erstwhile Beatle did not record the film's soundtrack, with that, uh, "honor" going to the great screen composer Lalo Schifrin. Somehow Schifrin manages to rise above it all – especially given the circumstances, his Caveman score ain't half bad: though its epic sweep would have been far better suited for a movie worth watching, this is the kind of melodramatic score harking back to Hollywood's golden era, complete with eruptions of brass and strings. And in keeping with the prehistoric plot, there's even a tribal energy to the percussion – sounds silly, but it works.
Pretty Woman is noted for its musical selections and hugely successful soundtrack. The film features the song "Oh, Pretty Woman" by Roy Orbison, which inspired the movie's title. Roxette's "It Must Have Been Love" reached No. 1 on the Billboard Hot 100 in June 1990. The soundtrack also features "King of Wishful Thinking" by Go West, "Show Me Your Soul" by the Red Hot Chili Peppers, "No Explanation" by Peter Cetera, "Wild Women Do" by Natalie Cole and "Fallen" by Lauren Wood. The soundtrack went on to be certified three times platinum by the RIAA.