Sixteen songs by the soft rock duo, cut between March of 1976 and early 1980, that sum up most of their best work. It's unfortunate that the producers couldn't have salvaged one or two cuts from their A&M years, just to delineate the development of their sound, but limited to 16 songs that might not have been possible. This is a handy volume, with excellent sound and ample annotation and session information, which tells the listener a lot about the duo that is often overlooked.
Considered by many to be his finest single album, Coltrane finds John Coltrane displaying all of the exciting elements that sparked brilliance and allowed his fully formed instrumental voice to shine through in the most illuminating manner. On tenor saxophone, he's simply masterful, offering the burgeoning sheets of sound philosophy into endless weavings of melodic and tuneful displays of inventive, thoughtful, driven phrases. Coltrane also plays a bit of soprano saxophone as a primer for his more exploratory work to follow. Meanwhile, bassist Jimmy Garrison, drummer Elvin Jones, and especially the stellar McCoy Tyner have integrated their passionate dynamics into the inner whole of the quartet.