Gottfried August Homilius, now considered the greatest cantor of Dresden's Kreuzchor, was, for a while a student of Johann Sebastian Bach. A composer of music for the church, and a great organist, he was described, in 1790, as 'one of the greatest and worthiest organists alive.'
While Homilius's name is found on only one score for this passion, stylistic criteria make it almost certain that he wrote this music. This St. Matthew Passion closely resembles Bach's passions - it contains choral movements, recitatives and arias with orchestral accompaniment, and tells the story of the Passion in the same way as was done in churches all over Germany in the 18th century. However, Homilius uses many more short sections with recitative (a total of 89 pieces altogether - most less than one minute long), but his arias are generally much longer than those in Bach's passions and cantatas.
En 2007, ce coffret est publié en Allemagne par le magazine mensuel contenant 3 CD. Ces 3 CD contient de nombreux succès de la chanteuse en Allemagne comme Walzer der Liebe, Der Wein war aus Bordeaux, Tage wie aus Glas… Elle contient aussi quelques chansons françaises comme Un dernier mot d'amour ou encore des chansons en anglais comme Sweet Souvenirs of Stefan.
Wolfgang Rihm (born in 1952) is one of the most important European composers of the late twentieth to early twenty first centuries, but his work is little known in America. He is famous for his productivity; before his 50th birthday, he had written over 400 pieces. The four concertos recorded here are similar in their manic energy, offering few moments of repose. The expressive directions for Music for oboe and orchestra include the instructions "as if overwound," "wild and funny," and "frantic," and those phrases aptly describe the effect of his work. Rihm is an unabashed modernist, and the surface of his music may be too prickly for some listeners, but it's deeply expressive, and at times very funny, such as at the end of the oboe concerto.