Impulse 20 Bit Super Mapping

Archie Shepp - Mama Too Tight (1966)[Impulse]{20-bit Super Mapping}

Archie Shepp - Mama Too Tight
Jazz / Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | Full 300dpi scans | 273 MB
Impulse | 1966/1998 remastered in 20-bit Super Mapping | 051 248-2
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 19, 1966.

This is Shepp at his level best. (Thom Jurek)
298136
Archie Shepp - Live in San Francisco
Jazz/Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | digipack and CD label 300dpi scans | 482 MB
Impulse | 1998 | 051 254-2
Recorded in San Francisco at the Both/And Club, February 19, 1966
Remastered in 20-bit super mapping

This Impulse recording features the fiery tenor Archie Shepp with his regularly working group of the period. (Scott Yanow)
John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster} [Repost]

John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster}
EAC rip (secure mode) | IMG, FLAC+CUE+LOG -> 394 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 70 Mb
© 1995 Impulse! / MCA / GRP | IMP 11692
Jazz / Avant-Garde Jazz / Saxophone

This is a major set, "new" music from John Coltrane that was recorded February 15, 1967, (five months before his death) but not released for the first time until 1995. One of several "lost" sessions that were stored by Alice Coltrane for decades, only one selection ("Offering" which was on Expression) among the eight numbers and three alternates was ever out before. The music, although well worth releasing, offers no real hints as to what Coltrane might have been playing had he lived into the 1970s.
John Coltrane - Meditations (1965/1996) [Impulse] {20-Bit SBM remastered}

John Coltrane - Meditations
Jazz/Free Jazz, Avant-Garde, Hard Bop | EAC (APE+CUE+LOG) | full 300dpi scans | 316 MB
Impulse! | 1965/1996 remastered in 20-Bit SBM | 051 199-2

This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations.
John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]

John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]
EAC rip | FLAC + CUE + LOG -> 328Mb + 273Mb | MP3 @320 -> 115Mb + 93Mb
Full Artwork @300 dpi -> 12Mb (jpg)
Impulse! / 20-Bit Super Mapping

The soulful folk songs–past, present and future–which make up THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of freedom: the freedom to create on a higher plane, the freedom he felt in playing with his new quartet. In a sense, THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of McCoy Tyner's contribution to the group. Tyner's distinctive block voicings, and his method of modulating in fourths were a major part of the quartet's sound. Reed innovator Eric Dolphy (who joined Coltrane's Quartet later in 1961) took melodic ideas and chords from Coltrane and Tyner, and developed brass-reed orchestrations that echoed the characteristic Tyner sound, and the quartet's mode of interaction. Cal Massey's "The Damned Don't Cry" is a fascinating exception, as Dolphy allows individual voices to glisten against the dusky shadow of ten brass.
Dire Straits - Brothers In Arms (1985) {2000, XRCD2, 20-Bit K2 Super Coding, Japan}

Dire Straits - Brothers In Arms (1985) {2000, XRCD2, 20-Bit K2 Super Coding, Japan}
EAC Rip | FLAC (Img) + Cue + Log ~ 359 Mb | MP3 CBR320 ~ 137 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Rock | Vertigo / Universal Music #5483572

Brothers in Arms is the fifth studio album by the British rock band Dire Straits, released on 13 May 1985 by Vertigo Records internationally, and by Warner Bros. Records in the United States. Brothers in Arms charted at number one worldwide, spending 10 weeks at number one on the UK Albums Chart, nine weeks at number one on the Billboard 200 in the United States, and 34 weeks at number one on the Australian Album Chart. The album is the eighth-best-selling album in UK chart history, is certified nine-times platinum in the United States, and is one of the world's best-selling albums, having sold over 30 million copies worldwide. The album won two Grammy Awards in 1986, and also won Best British Album at the 1987 Brit Awards…
The Move - Looking On (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Looking On (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 481 Mb | MP3 CBR320 ~ 187 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Psychedelic Rock / Progressive Rock / Blues Rock / Hard Rock
Cube Records / Victor Entertainment #VICP-61315

Looking On is the third album by The Move, released in the UK in December 1970. The LP is their first to feature Jeff Lynne, their first containing entirely original compositions. It includes both their 1970 singles, the Top 10 hit "Brontosaurus," released on Regal Zonophone in March, and the less successful "When Alice Comes Back To The Farm," released on Fly in October. It's also the first LP to feature both Roy Wood and Jeff Lynne as a tandem, with Wood’s use of cello and woodwinds and Lynne's piano in addition to their usual guitars and vocals, anticipating the work they would later pursue in The Electric Light Orchestra, whose debut album they were starting to record at around the same time…
The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Move (1968) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 451 Mb | MP3 CBR320 ~ 193 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Beat, Power Pop, Art Rock, Psychedelic Rock, Rock & Roll, British Invasion
Cube Records / Victor Entertainment #VICP-61313

There's a good reason why the Move's eponymous 1968 debut album sounds like the work of two or three different bands – actually, befitting a band with multiple lead singers, there's more than one reason. First, there's that lead singer conundrum. Carl Wayne was the group's frontman, but Roy Wood wrote the band's original tunes and sometimes took the lead, and when the group covered a rock & roll class, they could have rhythm guitarist Trevor Burton sing (as they did on Eddie Cochran's "Weekend") or drummer Bev Bevan (as they did on the Coasters' "Zing Went the Strings of My Heart")…
The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}

The Move - Shazam (1970) {1998/2001, 20-bit K2 Super Coding Remaster, Japan}
EAC Rip | WV (Img) + Cue + Log ~ 471 Mb | MP3 CBR320 ~ 181 Mb
Scans Included (JPG, 300 dpi) | RAR 5% Recovery
Freakbeat, Hard Rock, Psychedelic Rock, Progressive Rock
Cube Records / Victor Entertainment #VICP-61314

Shazam is the second studio album by English rock band the Move, released in February 1970 by Regal Zonophone. The LP marked a bridge between the band's quirky late '60s pop singles and the progressive, long-form style of Roy Wood's next project, the Electric Light Orchestra. It was the last Move album to feature the group's original lead vocalist, Carl Wayne. The Move, from Birmingham, England, are a British rock band of the late 1960s and the early 1970s. They scored nine Top 20 UK singles in five years…
Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}

Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 313 Mb | MP3 CBR320 ~ 106 Mb
Scans (JPG, 300 dpi) ~ 31 Mb | RAR 5% Recovery
Pop, Rock, Soul | Capitol Records / JVC #JVCXR-0044-2

In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy…