Impulse 20 Bit Super Mapping

Archie Shepp - Mama Too Tight (1966)[Impulse]{20-bit Super Mapping}

Archie Shepp - Mama Too Tight
Jazz / Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | Full 300dpi scans | 273 MB
Impulse | 1966/1998 remastered in 20-bit Super Mapping | 051 248-2
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 19, 1966.

This is Shepp at his level best. (Thom Jurek)
298136
Archie Shepp - Live in San Francisco
Jazz/Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | digipack and CD label 300dpi scans | 482 MB
Impulse | 1998 | 051 254-2
Recorded in San Francisco at the Both/And Club, February 19, 1966
Remastered in 20-bit super mapping

This Impulse recording features the fiery tenor Archie Shepp with his regularly working group of the period. (Scott Yanow)
John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster} [Repost]

John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster}
EAC rip (secure mode) | IMG, FLAC+CUE+LOG -> 394 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 70 Mb
© 1995 Impulse! / MCA / GRP | IMP 11692
Jazz / Avant-Garde Jazz / Saxophone

This is a major set, "new" music from John Coltrane that was recorded February 15, 1967, (five months before his death) but not released for the first time until 1995. One of several "lost" sessions that were stored by Alice Coltrane for decades, only one selection ("Offering" which was on Expression) among the eight numbers and three alternates was ever out before. The music, although well worth releasing, offers no real hints as to what Coltrane might have been playing had he lived into the 1970s.
John Coltrane - Meditations (1965/1996) [Impulse] {20-Bit SBM remastered}

John Coltrane - Meditations
Jazz/Free Jazz, Avant-Garde, Hard Bop | EAC (APE+CUE+LOG) | full 300dpi scans | 316 MB
Impulse! | 1965/1996 remastered in 20-Bit SBM | 051 199-2

This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations.
John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]

John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]
EAC rip | FLAC + CUE + LOG -> 328Mb + 273Mb | MP3 @320 -> 115Mb + 93Mb
Full Artwork @300 dpi -> 12Mb (jpg)
Impulse! / 20-Bit Super Mapping

The soulful folk songs–past, present and future–which make up THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of freedom: the freedom to create on a higher plane, the freedom he felt in playing with his new quartet. In a sense, THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of McCoy Tyner's contribution to the group. Tyner's distinctive block voicings, and his method of modulating in fourths were a major part of the quartet's sound. Reed innovator Eric Dolphy (who joined Coltrane's Quartet later in 1961) took melodic ideas and chords from Coltrane and Tyner, and developed brass-reed orchestrations that echoed the characteristic Tyner sound, and the quartet's mode of interaction. Cal Massey's "The Damned Don't Cry" is a fascinating exception, as Dolphy allows individual voices to glisten against the dusky shadow of ten brass.
Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}

Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 313 Mb | MP3 CBR320 ~ 106 Mb
Scans (JPG, 300 dpi) ~ 31 Mb | RAR 5% Recovery
Pop, Rock, Soul | Capitol Records / JVC #JVCXR-0044-2

In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy…
Tom Coster - The Forbidden Zone (1994) {JVC 20-bit K2 Super Coding System}

Tom Coster - The Forbidden Zone (1994) {20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 427 Mb | MP3 CBR320 ~ 144 Mb
Scans (JPG, 600 dpi) ~ 55 Mb | RAR 5% Recovery
Crossover Jazz, Fusion | JVC #JVC-2040-2

For this excellent outing (his third project for JVC), keyboardist Tom Coster performs 11 originals plus "Lover Man." Although his fusion-oriented music is full of funky ensembles, there is more variety than expected. Coster shares the solo space with tenor saxophonist Bob Berg, and the fiery guitarist Scott Henderson, creating a colorful and sometimes unpredictable program of music.

John Coltrane - Living Space (1998) {Impulse}  Music

Posted by TestTickles at May 18, 2016
John Coltrane - Living Space (1998) {Impulse}

John Coltrane - Living Space (1998) {Impulse}
EAC Rip | FLAC with CUE and log | scans | 389 mb
MP3 CBR 320kbps | RAR | 162 mb
Genre: jazz

Living Space is a 1998 compilation CD by legendary jazz musician John Coltrane. This compiles songs recorded in 1965 and originally came out on a compilation released by Impulse in 1978 called The Mastery Of John Coltrane-Volume One: Feeling Good. When this version was made with a new title, a song previously unreleased at the time was placed on here. This disc, released on 10 March, 1998, was remastered by Erick Labson. A Japanese remastered CD released in 2015 is also available elsewhere.
Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}

Abbey Lincoln - Abbey Is Blue (1959) {Riverside 20-bit K2 Remaster Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 217 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 25 Mb | 5% repair rar
© 1959, 2005 Riverside / Fantasy / Concord | RITB-1153-2 | 20-bit K2 remaster | LP RLP 12-308
Jazz / Vocal Jazz / Standards

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Abbey Lincoln's third of three Riverside albums directly precedes her more adventurous work with drummer (and then-husband) Max Roach. With fine backup from trumpeter Kenny Dorham, pianist Wynton Kelly, Les Spann (doubling on guitar and flute), bassist Sam Jones, and drummer Philly Joe Jones) on seven of the ten numbers, and by Roach's regular quintet at the time on the other three selections, Lincoln is quite emotional and distinctive during a particularly strong set. Highlights include the first vocal version ever of "Afro-Blue," "Come Sunday," Oscar Brown, Jr.'s "Brother, Where Are You," "Softly, As in a Morning Sunrise," "Long as You're Living," and Lincoln's own "Let Up." A very memorable set.
Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}

Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Riverside / Fantasy | RITB 9464-2 | 20-bit K2 remaster | LP RLP 464
Jazz / Hard Bop

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Ugetsu, a 1963 live set from the original Birdland, finds Art Blakey & His Jazz Messengers at the peak of their powers with one of their strongest lineups. The group primarily recorded sessions for Alfred Lion's Blue Note label, but this Riverside date is as strong as any of their previous outings. Having acquired the services of trombonist Curtis Fuller in 1961, the Messengers' front line was its most robust ever, with Wayne Shorter and Freddie Hubbard consistently turning in some of their best performances. Rounding out the rhythm section with Blakey are the equally powerful Reggie Workman and Cedar Walton.