Impulse 20 Bit Super Mapping

Archie Shepp - Mama Too Tight (1966)[Impulse]{20-bit Super Mapping}

Archie Shepp - Mama Too Tight
Jazz / Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | Full 300dpi scans | 273 MB
Impulse | 1966/1998 remastered in 20-bit Super Mapping | 051 248-2
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on August 19, 1966.

This is Shepp at his level best. (Thom Jurek)
Archie Shepp - Live in San Francisco
Jazz/Avant-Garde, Free Jazz | EAC (APE+CUE+LOG) | digipack and CD label 300dpi scans | 482 MB
Impulse | 1998 | 051 254-2
Recorded in San Francisco at the Both/And Club, February 19, 1966
Remastered in 20-bit super mapping

This Impulse recording features the fiery tenor Archie Shepp with his regularly working group of the period. (Scott Yanow)
John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster} [Repost]

John Coltrane - Stellar Regions (1967) {1995 Impulse! 20-bit Remaster}
EAC rip (secure mode) | IMG, FLAC+CUE+LOG -> 394 Mb | MP3 @320 -> 145 Mb
Full Artwork @ 300 dpi (png) -> 70 Mb
© 1995 Impulse! / MCA / GRP | IMP 11692
Jazz / Avant-Garde Jazz / Saxophone

This is a major set, "new" music from John Coltrane that was recorded February 15, 1967, (five months before his death) but not released for the first time until 1995. One of several "lost" sessions that were stored by Alice Coltrane for decades, only one selection ("Offering" which was on Expression) among the eight numbers and three alternates was ever out before. The music, although well worth releasing, offers no real hints as to what Coltrane might have been playing had he lived into the 1970s.
John Coltrane - Meditations (1965/1996) [Impulse] {20-Bit SBM remastered}

John Coltrane - Meditations
Jazz/Free Jazz, Avant-Garde, Hard Bop | EAC (APE+CUE+LOG) | full 300dpi scans | 316 MB
Impulse! | 1965/1996 remastered in 20-Bit SBM | 051 199-2

This CD reissues what was arguably the finest of the John Coltrane-Pharoah Sanders collaborations.
John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]

John Coltrane - Complete Africa/Brass Sessions (1961) [2CD]
EAC rip | FLAC + CUE + LOG -> 328Mb + 273Mb | MP3 @320 -> 115Mb + 93Mb
Full Artwork @300 dpi -> 12Mb (jpg)
Impulse! / 20-Bit Super Mapping

The soulful folk songs–past, present and future–which make up THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of freedom: the freedom to create on a higher plane, the freedom he felt in playing with his new quartet. In a sense, THE COMPLETE AFRICA/BRASS SESSIONS are a celebration of McCoy Tyner's contribution to the group. Tyner's distinctive block voicings, and his method of modulating in fourths were a major part of the quartet's sound. Reed innovator Eric Dolphy (who joined Coltrane's Quartet later in 1961) took melodic ideas and chords from Coltrane and Tyner, and developed brass-reed orchestrations that echoed the characteristic Tyner sound, and the quartet's mode of interaction. Cal Massey's "The Damned Don't Cry" is a fascinating exception, as Dolphy allows individual voices to glisten against the dusky shadow of ten brass.
Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}

Sonny Rollins - Way Out West (1957) {Contemporary 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 37 Mb | 5% repair rar
© 2000 Contemporary / Fantasy | CCD-7530-2 | 20-bit K2
Jazz / Bop / Hard Bop / Saxophone

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Contemporary's 2000 re-release appended three bonus tracks, all of them alternate takes. A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels".
Gary McFarland - Point Of Departure (1963) {1998 Impulse! Japan 20 bit K2 Mastering}

Gary McFarland - Point Of Departure (1963) {1998 Impulse! Japan 20 bit K2 Mastering}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 219 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (jpg) -> 184 Mb | 5% repair rar | 20 bit K2 Mastering
© 1998 Impulse! / MCA Records / Universal Victor Japan | MVCJ-19111
Jazz / Hard Bop / Post Bop / Vibes

A great record – and one that's filled with so many wonderful little moments! The whole thing's a very cool, very off-beat set of jazz tracks recorded by vibist Gary McFarland, with a group that includes Jimmy Raney on guitar, Richie Kamuca on tenor, and Steve Swallow on bass – a lineup that's as quirky as the sound of the record! The tunes are quite different than some of Gary's larger arrangements for Verve, but they've definitely got a very similar charm – quite groovy, and a unique blend of bossa influences, west coast jazz, modal rhythms, and other wonderful touches. Tracks include "Pecos Pete", "Hello To The Season", "Schlock-House Blues", and "Love Theme From David & Lisa".
Hampton Hawes Quartet - All Night Session Vols. 1-3 (1956) [2CD] {Japan Victor Mini LP 20-bit K2}

Hampton Hawes Quartet - All Night Session Vols. 1-3 (1956) [2CD] {Japan Victor Mini LP 20-bit K2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 751 Mb | MP3 @320 -> 295 Mb
Full Artwork @ 300 dpi (jpg) -> 21 Mb | 5% repair rar | 20-bit K2 super coding
© 2001 Contemporary Records / Victor Japan | VICJ-60782~3
Jazz / Bop / Hard Bop / Piano

A Japanese reissue of this terrific session which was originally released on three LPs. It's beautifully remastered in 20-bit K2 super coding and contains one track not on any of the original LPs. Originally issued on three LPs, the music resulting from Hampton Hawes' All Night Session! was stereophonically recorded for the Contemporary label in Los Angeles on the night of November 12 and into the morning of November 13, 1956. This session transcended the conventions of studio production by moving steadily from one tune to the next like a live gig with no alternate takes.
Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}

Tina Turner - Private Dancer (1984) {XRCD, JVC 20-bit K2 Super Coding System}
EAC Rip | FLAC (Img) + Cue + Log ~ 313 Mb | MP3 CBR320 ~ 106 Mb
Scans (JPG, 300 dpi) ~ 31 Mb | RAR 5% Recovery
Pop, Rock, Soul | Capitol Records / JVC #JVCXR-0044-2

In 1984, a 45-year-old Tina Turner made one of the most amazing comebacks in the history of American popular music. A few years earlier, it was hard to imagine the veteran soul/rock belter reinventing herself and returning to the top of the pop charts, but she did exactly that with the outstanding Private Dancer. And Turner did so without sacrificing her musical integrity. To be sure, this pop/rock/R&B pearl is decidedly slicker than such raw, earthy, hard-edged Ike & Tina classics as "Proud Mary," "Sexy Ida," and "I Wanna Take You Higher." But she still has a tough, throaty, passionate delivery that serves her beautifully on everything from the melancholy…
Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered} Repost

Miles Davis - Blue Moods (1955) {Reissue, 20-Bit SBM Remastered}
EAC Rip | FLAC (Img) + Cue + Log ~ 150 Mb | MP3 CBR320 ~ 65 Mb
Scans (JPG, 300 dpi) ~ 20 Mb | RAR 5% Recovery
Jazz, Hard Bop | Original Jazz Classics / Debut Records / ZYX Music #OJC20 043-2 (DEBUT-120)

In the '50s, the party line among New York jazz critics was that hard bop was the "true faith" and that cool jazz was lightweight and unemotional. But Miles Davis knew better. The trumpeter (whose Birth of the Cool sessions of 1949-1950 proved to be incredibly influential) was smart enough to realize that cool jazz and hard bop were equally valid parts of the house that Charlie Parker built, and he had no problem working with cool jazzmen one minute and hard boppers the next. Recorded for Charles Mingus' Debut label in 1955, Blue Moods is an excellent example of cool jazz…