SPV launched their series of archival Ike & Tina Turner collections with this double-disc set, which curiously enough is the least interesting installment in the program so far. The Archive Series, Vols. 1 & 2: Hits and Classics is devoted to songs already familiar to casual listeners, but the only real-deal Ike & Tina hits included on this set are "It's Gonna Work Out Fine," "Nutbush City Limits," "Proud Mary," and "River Deep, Mountain High" (the latter two each appearing twice), while nearly everything else is a cover of a tune associated with another artist.
As husband and wife, Ike & Tina Turner headed up one of the most potent live acts on the R&B circuit during the '60s and early '70s. Guitarist and bandleader Ike kept his ensemble tight and well-drilled while throwing in his own distinctively twangy plucking; lead vocalist Tina was a ferocious whirlwind of power and energy, a raw sexual dynamo who was impossible to contain when she hit the stage, leading some critics to call her the first female singer to embody the true spirit of rock & roll…
The duo were at their peak of popularity when this hour-long performance was recorded in New York on April 1, 1971. Of course Turner's volcanic stage presence can't be fully translated onto disc, and the set list goes heavy on predictable covers like "Sweet Soul Music," "Honky Tonk Women," "I've Been Loving You Too Long," "Respect," and a ten-minute-plus "Proud Mary." And the opening two numbers are sung not by Tina, but by the Ikettes.
Soul Samba (aka Bossa Nova Soul Samba) is an album by American saxophonist Ike Quebec recorded in 1962 and released on the Blue Note label. It was Quebec's final recording before his death in January 1963. Though not as well known as giants Ben Webster and Don Byas, the late Ike Quebec was a major stylist whose specialty was the big-toned, cozy, breathy, romantic tenor saxophone. Quebec made a series of soul-jazz sessions for Blue Note, as well as this 1962 rarity on which he had a go at the au courant bossa nova sound. Accompanied by the burnished guitar of Kenny Burrell and the Latin spice of Willie Bobo, Quebec brings his emotive approach to the sly, cool expression that is bossa nova. The contrast is exhilarating, making for a pleasant surprise for fans of the Brazilian style as well as for Quebec fans accustomed to his usual bluesy groove. This 2007 remastered edition includes three alternate takes.