Tina Turner's years in the Ike & Tina Turner Review earned her the moniker "The Queen Of Rock and Roll." Her one-of-a-kind voice and energy, set against the fiery R&B grooves of her husband Ike, led them to become a consistently popular live draw between the years of 1960 and 1975.
With most classic R&B acts, we feel lucky to get one genuine live recording – in the case of Ike & Tina Turner, by contrast, we have an embarrassment of riches in the way of concert recordings from the early- to mid-1960s, and it started with this Kent Records release. Issued in 1964, soon after they left Kent, it captured 35 minutes of their live act, from the Club Imperial and the Harlem Club in St, Louis. In addition to Tina Turner in an extended rap attached to "Please, Please, Please," we also get Jimmy Thomas in a rousing version of "Feel So Good," Venetta Fields' mournful, magnificent "The Love of My Man," Bobby John on the smooth, soulful, soaring "Think," Stacy Johnson doing "Drown in My Own Tears," Robbie Montgomery's "I Love the Way You Love," and Vernon Guy singing "Your Precious Love".
The Collected Recordings – Sixties to Nineties is a digitally remastered three disc compilation album by Tina Turner. The 48 track compilation was released in the United States on 15 November 1994 by Capitol Records. The set collects recordings from Turner's - at the time - thirty year long career, starting with her 1960 debut single with Ike & Tina Turner, "A Fool In Love", and concluding with 1993's "I Don't Wanna Fight" from the soundtrack to the biographical movie What's Love Got to Do with It. Box includes 80 pages booklet.
SPV launched their series of archival Ike & Tina Turner collections with this double-disc set, which curiously enough is the least interesting installment in the program so far. The Archive Series, Vols. 1 & 2: Hits and Classics is devoted to songs already familiar to casual listeners, but the only real-deal Ike & Tina hits included on this set are "It's Gonna Work Out Fine," "Nutbush City Limits," "Proud Mary," and "River Deep, Mountain High" (the latter two each appearing twice), while nearly everything else is a cover of a tune associated with another artist.
As husband and wife, Ike & Tina Turner headed up one of the most potent live acts on the R&B circuit during the '60s and early '70s. Guitarist and bandleader Ike kept his ensemble tight and well-drilled while throwing in his own distinctively twangy plucking; lead vocalist Tina was a ferocious whirlwind of power and energy, a raw sexual dynamo who was impossible to contain when she hit the stage, leading some critics to call her the first female singer to embody the true spirit of rock & roll…
The duo were at their peak of popularity when this hour-long performance was recorded in New York on April 1, 1971. Of course Turner's volcanic stage presence can't be fully translated onto disc, and the set list goes heavy on predictable covers like "Sweet Soul Music," "Honky Tonk Women," "I've Been Loving You Too Long," "Respect," and a ten-minute-plus "Proud Mary." And the opening two numbers are sung not by Tina, but by the Ikettes.
The most dynamic female soul singer in the history of the music, Tina Turner oozed sexuality from every pore in a performing career that began the moment she stepped on-stage as lead singer of the Ike & Tina Turner Revue in the late '50s. Her gritty and growling performances beat down doors everywhere, looking back to the double-barreled attack of gospel fervor and sexual abandon that had originally formed soul in the early '50s. Divorced from Ike in the mid-'70s, she recorded only occasionally later in the decade but resurfaced in the mid-'80s with a series of hit singles and movie appearances; her high-profile status was assured well into the '90s.