The 3CD, Super Deluxe adds 12 tracks not included on the original release. Bonus tracks are a combination of live tracks, studio cuts and outtakes. The entire album is also available in 5.1 Surround Sound on the Blu-Ray plus additional tracks. The Allman Brothers' second album, is a mixture of chunky grooves and sophisticated textures. It showcases both Gregg Allman's and Dickey Betts' skills as songwriters…
Essentially the Allman Brothers Band's Gold collection is an expanded version of both the Universal Masters and 20th Century Masters collections. It contains two discs that total 30 cuts and cover the band's catalog from 1969's Allman Brothers Band to 1975's Enlightened Rogues. There are five cuts from the first album, including the original studio version of "Whipping Post," and four from Idlewild South, including the studio read of "Midnight Ride." The cuts from At Fillmore East number four with the inclusion of the 13-minute "In Memory of Elizabeth Reed," and five from Eat a Peach, including "Melissa," "Blue Sky," and "Ain't Wasting Time No More." Five cuts come from Brothers and Sisters and, yes, "Ramblin' Man" and "Jessica" are among them…
Filmed in Baden Baden, Germany, July 5th, 1991.
The story of the Allman Brothers Band is one of triumph, tragedy, redemption, dissolution, and more redemption. Since their beginning in the late '60s, they went from being America's single most influential band to a shell of their former self trading on past glories, to reach the 21st century resurrected as one of the most respected rock acts of their era.
Japanese Box 1998 contains studio and live albums and a compilation of the legendary rock band The Allman Brothers Band for the period from 1969 to 1979.
The best studio album in the group's history, electric blues with an acoustic texture, virtuoso lead, slide, and organ playing, and a killer selection of songs, including "Midnight Rider," "Revival," "Don't Keep Me Wonderin'," and "In Memory of Elizabeth Reed" in its embryonic studio version, which is pretty impressive even at a mere six minutes and change. They also do the best white cover of Willie Dixon's "Hoochie Coochie Man" anyone's ever likely to hear.
The show was Great! This is my favorite line-up so far for the band- but I always say that. Greg looked and sounded super- singing and playing. He is a classic blues rock musician. Butch, Jaimoe and Marc are the best! Rico sat in for Butch on one tune as well. Way to go Rico… Marc has settled in solid with the band. Tazzz… Oteil had some crazy sounds coming out after his scat solo. Love the thunder of the bass and drums! Derek looks relaxed when he plays with the ABB.
The Allman Brothers shared the bill with the Grateful Dead on several notable occasions. This release recalls the Brothers in support of the Dead and Love in February 1970 at the fabulous Fillmore East. No specific dates for the performances are noted, so it is presumed this release is a composite from recordings made at some point during the two sets per night that the Allman's performed on February 11th through the 14th. There is no mistaking the unbridled fervor of the original line-up of the band. Rising to the challenge of exploratory psychedelia – while remaining ever faithful to their Southern blues roots – blues standards such as "(I'm Gonna Move to The) Outskirts of Town" and "Hoochie Coochie Man" are strengthened and extended beyond their typical assertions. No longer are they relegated to the inadequately rendered thrashings of garage rock. Betts and the Allman's understand the dynamics of blues. It is out of this respect for the art form that the band is able to pull off such authentic psychedelia-tinged Delta sounds.