Excellent addition to any prog rock music collection.
Although admittedly a posthumous release, I was very surprised at the rather dismissive tenor of many of the reviews of this album to date. Hopefully this record will be reappraised soon as being a release worthy of anyone's consideration as I feel it does enhance an already rich legacy left behind by this very fine and innovative band. (So what if Charisma wanted to ride the slipstream of the lucrative ELP juggernaut?)
A photograph album full of treasured memories - David Roth's third album with Stockfisch-Records "Will You Come Home". Singer/songwriter Roth transports the listener on a magical journey through highlights in his life. David Roth is a musical portrait artist who conveys a wealth of stories, anecdotes and remembered scenes with a physically felt intensity. This album is reminiscent, too, of an much-loved anthology of poetry, like one of those marvellous books which one can simply open at any page. That extraordinary feeling of warmth and familiarity that takes us by surprise when listening to this music comes from the sheer magic of the melodies…
On their second album, 1969's "Suite Feeling", Lighthouse reached the height of their most experimental phase. Particularly on the ten-minute instrumental "Places on Faces Four Blue Carpet Traces," the jazz-rock-classical ensemble stretched out with graceful, passionate improvisations that had seldom been heard in rock arrangements. Other songs such as "Feel So Good," "Places on Faces," and "Could You Be Concerned" were among the most popular staples of their early concerts, which established them as favorites on North America's mushrooming rock festival circuit. The record also featured some of their most classical-influenced pieces, "Presents of Presence" and "Taking a Walk." They also put their individual stamp on covers of the Band's "Chest Fever" and, most adventurously of all, the Beatles' "A Day in the Life."
Touring with the Micky Curtis Band, Yamamoto had the chance to explore several international experiences that he would later use on this album as he worked with this band in France, England and Switzerland. On this SACD, the Tsuyoshi Yamamoto Trio plays two of Tsuyoshi's own blues improvisations followed by jazz ballads that became standards for the trio. Yamamoto's skill and his jazz feeling adds that certain touch of liveliness and spontaneity and makes Midnight Sugar a unique experience. Available for the first time on the SACD format, this features latest CD technology developed by Sony.
The music Manu Dibango is known for its alchemy of Jazz, African and Jamaican music, Gospel and R&B. His unique style was the forerunner of what we now call world music. Dibango is perhaps best remembered for his 1972 afrobeat single Soul Makossa, often considered the first disco record. This new best-of collection from Frémeaux features twelve tracks released between 1978 and 1989, including the 1978 Kingston remix of Reggae Makossa. Guest artists include Michael and Randy Brecker, Sly Dunbar and Robbie Shakespeare.