This album is marked by the interaction between John Lee Hooker and his guitar-playing cousin Earl. Earl, who succumbed to illness in 1970, was a fine bluesman in his own right, possessing a formidable slide technique. Many are unaware that the two often performed together, and the band that accompanies John Lee here also backed Earl frequently. The opening cut, then, a slow 12-bar number called "The Hookers" is not about ladies of the evening, but rather about the gentlemen in question.
Heard here less than a year before his death, Earl still sounds frisky and versatile, often utilizing a funky wah-wah style without ever descending into the psychedelic excesses that plagued so many late-'60s electric blues albums. One of the most effective cuts is "Lonesome Mood," a low-key, one-chord stomper in the classic John Lee mold, where Earl's wah-wah guitar meshes with Johnny Walker's organ and Jefferey Carp's harmonica to create a subtly shifting, sensuously undulating web of sound over which John Lee works his hoodoo. On IF YOU MISS 'IM, John Lee definitely benefits from keeping it in the family.
STAYING A LIFE is a double live album by Accept, released in 1990. It was recorded in Osaka, Japan, in 1985. It was released in 1990, shortly after the band's first breakup. It was mixed by Uli Baronowsky at Dierks Studios, Stommeln. Live footage from the 1985–1986 world tour was released in VHS also in 1990, with the same title and cover art.
Originally scheduled for release in 1981, the double-album I'm a Rainbow was shelved at the last minute. In the proocess, it became legendary among Donna Summer fanatics. In 1996, I'm a Rainbow was finally released as a single compact disc. Like most of Summer's recordings from the late '70s and early '80s, it was produced by Giorgio Moroder and Pete Bellotte, who give the stylish disco a sleek, sexy sheen. The difference between I'm a Rainbow and its predecessors – and, indeed, its sequels – is the subject matter…
This is a great compilation of the legendary German metal band Accept's earlier, best years! These were arguably the best years of the Heavy Metal genre, when power riffs, well structured and technical lead guitar work, and powerful vocals ruled the day. If you like REAL metal, get this!
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