Hungarian pianist-composer HAVASI’s life has revolved around the piano since the age of four, when he had his talent and perfect pitch discovered. During his studies he was extremely motivated by challenges and competitive situations. He would practice for ten hours a day to make the most of himself. He learned the trade of classical music with respect and humility, studied the lives and works of various masters, and graduated from Franz Liszt Academy of Music in Hungary. He came to recognise the huge responsibility involved in teaching, and taught in Budapest’s conservatory for years. As a performer of classical music he built up a vast repertoire, gave concerts in several towns across Europe, and won various piano contests.
Features 24 bit remastering and comes with a mini-description. Cornetist Nat Adderley's first album as a leader after the collapse of Riverside found him switching to Atlantic and performing eight of his most rewarding compositions. With several brass players, Seldon Powell on tenor and flute, pianist Joe Zawinul (who provided the arrangements), bassist Sam Jones, Grady Tate or Bruno Carr on drums and guest spots by Victor Pantoja and Willie Bobo on Latin percussion, Nat performs such numbers as his greatest hit "Work Song," "Sermonette," "The Old Country," "Little Boy With The Sad Eyes" and "Jive Samba." It is a pity that the music on this valuable Lp has yet to be reissued on CD.
Let's put the hook in right from the jump: Echoes of Indiana Avenue is perhaps the most significant release of previously unissued material by a major jazz artist since the The Thelonious Monk Quartet with John Coltrane: At Carnegie Hall appeared in 2005. That's not hyperbole. These tapes, which consist of two live recordings and one studio demo, were cut, presumably, between 1957 and 1958, with various groupings of musicians, including his brothers Monk and Buddy, as well as pianist Earl Van Riper and bassist Mingo Jones. All of the tunes here are now regarded as standards, but some were current then, freshly added in that era, such as Shorty Rogers' "Diablo's Dance," Horace Silver's "Nica's Dream," and perhaps most importantly, Thelonious Monk's "'Round Midnight" and "Straight No Chaser."
Now available on CD in Digipak format. Released for short time in 1988 on an indie label and hard to find. Comeback album after a five-year hiatus, with guitarist Lester Hunt impressively replacing co-founder Peter Haycock. Also features core trio of Colin Cooper, Lester Hunt, and George Glover, plus soon-to-be Status-Quo rhythm section of Jeff Rich and John Rhino Edwards. Revisits their smash hit single Couldn't Get It Right and long-time set opener Fool For The Bright Lights among 10 impressive blues-rock tracks. The band play on today with frontman Johnny Mars replacing late Colin Cooper. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly re-mastered superb sound - top quality reproduction. The best in the business!
In 1981 the Climax Blues Band was located in Los Angeles, recording yet another album to meet the heavy demand for their musical aspirations. Lucky For Some featured, once again, the tightly knit line up of Peter Haycock on guitar and vocals, Colin Cooper on vocals and saxophone, Derek Holt on vocals, bass guitar and keyboards and John Cuffley on drums. By now, the band had been on the road for a decade or more and played with a telepathic sense of communication on these nine superb original LP tracks, including four Haycock originals. But the guys were also helped out in the studio by some distinguished guests, notably the late session keyboard player Nicky Hopkins and vocalist Glenn Hughes. Complete with a saucy album cover design, Lucky For Some has some hot performances like Peter's Shake It Lucy and Derek Holt's Breakdown , plus a bonus track Darlin (single version).