Authoritative and comprehensive, this 55CD set presents a unique period in human history: a period when brilliant recorded sound on LP & CD, plus radio, TV, film and live all combined to offer huge new opportunities for singers, record labels and producers to expand the audience for classical music.
This SIX CD collection of 101 favorite tracks is the perfect introduction to the world of opera, including the worlds most famous and popular tenor and soprano arias, duets and choruses. With a running time of over 7 hours of music this box set provides excellent value for money. This delightful collection includes everyones favorite opera highlights, from the lyricism of Puccinis Nessun dorma! and O mio babbino caro, to the power and might of Verdis Anvil Chorus and Wagners Ride of the Valkyries. Features some of the greatest opera singers of the last 50 years, including Luciano Pavarotti, Dame Joan Sutherland, Jussi Bjorling, Kiri Te Kanawa, Placido Domingo and Renata Tebaldi.
This limited edition box set includes 35 sonic spectacular albums from the early golden age of digital when Decca’s engineers created a new DECCA SOUND. This set is a celebration of the nearly 25-year partnership between conductor Charles Dutoit and the Orchestre Symphonique de Montréal. Highlights include recordings of Ravel, Saint-Saëns, Berlioz, Bizet, Respighi, Stravinsky, Holst, Debussy and much more.
2014 marks the 50th anniversary of the start of the relationship between Luciano Pavarotti and Decca a fitting occasion to marvel once again at the sheer quality of the voice of the 20th Century s greatest tenor.
This 27 CD survey reviews the totality of Pavarotti s remarkably intense first decade with Decca. Everything the artist recorded for the company from signing his contract until 1973 is here, allowing critics and collectors and opera lovers once more to appreciate his exceptional achievement in that first decade for the Decca label.
This is one of the best opera recordings, period! I think Sita has got to be the most vocally demanding role in French opera, hands down. I don't know if there's another soprano who would have pleased me more – maybe Sills (or Caballé if she had the high notes). Another thing, this opera needs a dramatic sound and dramatic acting in general. Sutherland is absolutely superb in this aspect. She really understood Sita. I just love this opera. I can't stop listening to it. Thank you, Massenet! And the guy that plays the Roi de Lahore is a superb dramatic tenor. I'm surprised he isn't more famous than he is.
This opera becomes a battle of the divas in its great second act, with Sutherland, as Mary Stuart, pitted against the jealous, paranoid, and vengeful Elizabeth I (Tourangeau). There is an intensely dramatic confrontation in which insults are violently exchanged between the powerful monarch and her imprisoned but still regal rival to the throne. Mary wins the battle of insults, but this is a dangerous victory over one who has the power of life and death. Elizabeth orders Mary's execution and Act III becomes a spectacle of pathos and horror. Sutherland's usual style is more attuned to pathos than to the swapping of insults, but she rises splendidly to the challenges of Act II and she has a splendid supporting cast. (Joe McLellan)
Decca, the opera company, presents a premium collection of the 100 most beautiful opera tracks on 6 CDs. Enjoy classic arias and overtures, performed by the greatest opera stars of all time. This is a fine compendium of opera's "greatest hits" by great singers including Pavarotti, Bartoli, Caballe, Horne and Sutherland from opera's latest "golden age" in the last decades of the 1900s. They're all there on six CDs, from Pavarotti's great "Nessun Dorma" to Sutherland's "Casta Diva."