Chris Hillman, whose credits include co-founding Rock and Roll Hall of Famers the Byrds, as well as the Flying Burrito Brothers, Manassas and Desert Rose Band, is truly one of the architects of American music. His newest solo work, Bidin' My Time, produced by Tom Petty and executive-produced by Herb Pedersen, captures a rarity: an icon who has never sounded better, making music with old friends for the sheer love of it. Collaborators and admirers from Hillman's storied career appear throughout the record: Tom Petty; Hillman's Byrds bandmates David Crosby and Roger McGuinn; the Heartbreakers' Benmont Tench, Mike Campbell, and Steve Ferrone; Desert Rose Band's John Jorgenson, Pedersen, and Jay Dee Maness; premier upright bassist Mark Fain; singer/guitarist Josh Jové; and fiddler Gabe Witcher.
Chris Hillman has a long history in the world of rock and country music. He was one of the founding members of The Byrds. He Joined The Flying Burrito Brothers, after that he formed The Souther, Hillman and Furay Band. He released two solo albums on Asylum Records in 1976 and 1977. Slippin' Away was originally released in 1976 and rose to #152 on the Billboard charts.
In this DVD, Bill shows 28 days of real time training sessions with a puppy over a time span of 2 ! months The puppy is 11 weeks old at the start. At the end of 28 days of training the puppy is 5 ! months old (a time span of 11 weeks). In other words, there are many days which the puppy is not formally trained. Most importantly, the pup during these days gets many sessions of house time and one-on-one walks with Bill or family members.
The second McGuinn, Clark & Hillman album turned into a McGuinn-Hillman album "featuring Gene Clark" when the latter dropped out of the tour ahead of it and then only contributed to two songs on this record, one of which was ironically called "Won't Let You Down." Apart from Clark's two songs, none of this really sounds much like the Byrds, although the stuff is pleasant late-'70s Byrds-influenced rock, sort of folky at its best moment and driven by McGuinn's mournful lead vocals and the soaring harmonies. "One More Chance" was the most Byrds-like of the non-Gene Clark numbers, and "City" was a good song, but, ironically, the two Gene Clark numbers were the best on the record, as good as anything he ever wrote after leaving the Byrds – and this CD is the only way to get them (they didn't make it onto Edsel's anthology).