Herbie Hancock Carlos Santana Special Band

Herbie Hancock, Carlos Santana Special Band - Live Under The Sky Denen Colosseum, Tokyo  1981

Herbie Hancock, Carlos Santana Special Band - Live Under The Sky Denen Colosseum, Tokyo 1981
Jazz - Rock | MP3 256Kbps | 159 MB

A concert featuring the joining of Herbie Hancock's jazz with Carlos Santana's rock. The band includes Ron Carter, Tony Williams and Wynton Marsalis.
Carlos Santana - Havana Moon (1983/1988/2018) [Official Digital Download 24-bit/192kHz]

Carlos Santana - Havana Moon (1983/2018)
FLAC (tracks) 24 bit/192 kHz | Time - 46:15 minutes | 1,41 GB
Studio Master, Official Digital Download | Artwork: Front cover

The third Carlos Santana solo album marks a surprising turn toward 1950s rock & roll and Tex-Mex, with covers such as Bo Diddley's "Who Do You Love" and Chuck Berry's title song. Produced by veteran R&B producers Jerry Wexler and Barry Beckett, the album features an eclectic mix of sidemen, including Booker T. Jones of Booker T & the MG's, Willie Nelson, and the Fabulous Thunderbirds. Havana Moon is a light effort, but it's one of Santana's most enjoyable albums, which may explain why it was also the best-selling Santana album outside the group releases in ten years.
Herbie Hancock - Future Shock (1983/2014) [Official Digital Download 24/96]

Herbie Hancock - Future Shock (1983/2014)
FLAC (tracks) 24-bit/96 kHz | Time - 44:18 minutes | 939 MB
Studio Master, Official Digital Download | Artwork: Front cover

"Future Shock" is pianist Herbie Hancock's thirty-fifth album and a million-selling Platinum-certified disc. It was Hancock's first release from his electro-funk era and an early example of instrumental hip hop. Much of the album was initially composed by the team of avant-garde bassist and record producer Bill Laswell, and keyboardist and producer Michael Beinhorn, and played on tour by their group Material in 1982.

Herbie Hancock - Sound System (1984) {Columbia}  Music

Posted by tiburon at Feb. 27, 2018
Herbie Hancock - Sound System (1984) {Columbia}

Herbie Hancock - Sound System (1984) {Columbia}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 310MB + 5% Recovery
MP3 CBR 320 Kbps | 107MB + 5% Recovery
Genre: Jazz-Funk, Funk, Fusion, Electronic

In the grand tradition of sequels, Sound-System picks up from where Future Shock left off – if anything, even louder and more bleakly industrial than before (indeed, "Hardrock" is "Rockit" with a heavier rock edge). Yet Hancock's experiments with techno-pop were leading him in the general direction of Africa, explicitly so with the addition of the Gambian multi-instrumentalist Foday Musa Suso on half of the tracks. "Junku," written for the 1984 Olympic Games with Suso's electrified kora in the lead, is the transition track that stands halfway between "Rockit" and Hancock's mid-'80s Afro-jazz fusions. Also, "Karabali" features an old cohort, the squealing Wayne Shorter on soprano sax. Despite succumbing a bit to the overwhelming demand for more "Rockits," Hancock's electric music still retained its adventurous edge.

Herbie Hancock - Perfect Machine (1988) {Columbia}  Music

Posted by tiburon at Feb. 27, 2018
Herbie Hancock - Perfect Machine (1988) {Columbia}

Herbie Hancock - Perfect Machine (1988) {Columbia}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 337MB + 5% Recovery
MP3 CBR 320 Kbps | 128MB + 5% Recovery
Genre: Jazz-Funk, Funk, Fusion, Electronic

Set upon recapturing the pop ground he had invaded with Future Shock, Hancock relies upon many of the former's ingredients for yet another go-'round on Perfect Machine. High-tech producer Bill Laswell is back, so is scratchmaster D. ST. – and armed with a warehouse of mostly digital keyboards, Hancock adds the distinctive bass of Bootsy Collins and the Ohio Players' vocalist Sugarfoot, who always sounds as if he had just swallowed something. The music is mostly thumping, funk-drenched techno-pop which still has some verve, particularly the designated single "Vibe Alive" and the "Maiden Voyage" interlude as heard through an electronic fun-house mirror. But this is not really an advance over Hancock's early-'80s pop projects.
Herbie Hancock - Austin City Limitst 2017 (2018) [HDTV, 1080i]

Herbie Hancock - Austin City Limitst 2017 (2018)
TS: MPEG2 Video 1920x1080 29.97fps | Dolby AC3, 2 ch, 384 kbps
Jazz-Funk, Fusion | 00:51:40 | ~ 4.78 Gb

~ Herbie Hancock Live at The Moody Theater, Austin, TX, USA on October 12, 2017 ~
Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}

Chick Corea, Herbie Hancock, Keith Jarrett, McCoy Tyner - (1990) {Atlantic}
X Lossless Decoder | FLAC tracks | Cue+Log+M3u | Full Scans 300dpi | 287MB + 3% Recovery
MP3 CBR 320 Kbps | 149MB + 5% Recovery
Genre: Jazz, Post-Bop

This odd anthology from Atlantic reissues selections from trio dates recorded during the 1960s by Keith Jarrett, Chick Corea, and Herbie Hancock, along with otherwise unobtainable early recordings by McCoy Tyner. Jarrett is joined by Charlie Haden and Paul Motian on two originals, both of which show the obvious influence of Bill Evans. Chick Corea is accompanied by Steve Swallow (on acoustic bass rather than the electric bass he switched to a short time later) and Joe Chambers. The pianist's "Tones for Joan's Bones" is swinging, but not nearly as driving as his works in the decades to follow, while his reworking of the show tune "This Is New" features Joe Farrell and Woody Shaw; both tracks also show the influence of Bill Evans.
Alice Coltrane and Carlos Santana - Illuminations (1974) [Reissue 2017] PS3 ISO + Hi-Res FLAC

Turiya Alice Coltrane & Devadip Carlos Santana (1974) [Reissue 2017]
PS3 Rip | SACD ISO | DST64 2.0 & 5.1 > 1-bit/2.8224 MHz | 35:47 minutes | Scans included | 1,66 GB
or FLAC 2.0 Stereo (converted with foobar2000 to tracks) 24bit/88,2 kHz | Full Scans incl. | 756 MB
Features Stereo and Multichannel surround sound | Label: Vocalion # CDSML 8530

Illuminations is a 1974 collaboration between Alice Coltrane and Carlos Santana. For his third duet album, Carlos Santana performed the works of John Coltrane, paired with Coltrane's widow, harpist/keyboardist Alice Coltrane, on this instrumental album. Side One includes several contemplative, string-filled numbers, while Side Two presents Santana's re-creation of John Coltrane's late free jazz style in "Angel of Sunlight." Columbia Records could not have been pleased at Santana's determined drift into esoteric jazz: Illuminations was the first of the nine Santana-related albums so far released in the U.S. not to go gold.
Herbie Hancock - Secrets (1976/2013) [Official Digital Download 24/96]

Herbie Hancock - Secrets (1976/2013)
FLAC (tracks) 24-bit/96 kHz | Time - 47:56 minutes | 974 MB
Studio Master, Official Digital Download | Artwork: Front cover

Secrets (1976) is a Jazz-Funk fusion album by acclaimed keyboard player Herbie Hancock. Following up on his previous album Man-Child, the album again features Paul Jackson on bass, and reedist Bennie Maupin continued to provide most of the solos alongside Hancock. Man-Child had seen the addition of electric guitar to Hancock's sound, and Secrets saw the guitar's place in the arrangements rise to crucial importance throughout. The flamboyant rhythm guitar contributions of top Motown session musician Wah Wah Watson are a particularly notable feature of the album.
Herbie Hancock - River: The Joni Letters (Expanded Edition) (2007/2017)

Herbie Hancock - River: The Joni Letters (Expanded Edition) (2007/2017)
WEB FLAC (Tracks) - 533 MB | Cover | MP3 CBR 320 kbps - 222 MB | 01:36:22
Jazz, Soul Jazz, Vocal Jazz, Contemporary Jazz | Label: Decca (UMO)

To celebrate its first decade anniversary, Herbie Hancock’s genre-defying River: The Joni Letters will be will be released as a 2CD/digital expanded edition with four bonus tracks. Hancock’s ode To Joni Mitchell, the album features songs composed by or influential to the iconic female singer/songwriter. The extra tracks span Mitchell’s expansive career and include ‘A Case Of You’ and ‘All I Want’ (featuring Sonya Kitchell) from her masterpiece Blue, ‘Harlem In Havana’ from her 1998 album Taming The Tiger and ‘I Had A King,’ the opening song on Mitchell’s debut record Song To A Seagull. ‘Harlem In Havana’ and ‘I Had A King’ are making their debut in any physical format.