Monster is the twenty-ninth album by pianist Herbie Hancock. As a follow-up to the "Feets" album, it avoided jazz and funk in favor of disco songs only. The track "Stars In Your Eyes" was issued as an extended (11:20) 12" single.
"Possibilities" is an intimate documentary about Herbie Hancock and his in-studio collaborations with a dozen formidable pop recording artists, collaborations that explore the unexpected, like jazz improvisations. The film is also about how Herbie's unique world view shapes a creative environment that encourages artists to step outside the velvet prison of easy expectations. "The hip stuff," Herbie tells Trey Anastasio, in a scene from the film, "is outside the comfort zone." "Possibilities" follows Herbie over a year and a half collaborating with musical icons Carlos Santana, Sting, Angelique Kidjo, Annie Lennox and Paul Simon, young superstars Christina Aguilera, John Mayer, Trey Anastasio and Jonny Lang and newcomers Joss Stone, Raul Midon, Damien Rice and Lisa Hannigan. The film also puts Herbie's latest work in the context of his extraordinary musical career, and includes rarely seen archival footage of Herbie with the Miles Davis Quintet in 1962; Herbie leading his Headhunters.
"Possibilities" is an intimate documentary about Herbie Hancock and his in-studio collaborations with a dozen formidable pop recording artists, collaborations that explore the unexpected, like jazz improvisations. The film is also about how Herbie's unique world view shapes a creative environment that encourages artists to step outside the velvet prison of easy expectations. "The hip stuff," Herbie tells Trey Anastasio, in a scene from the film, "is outside the comfort zone."
This disc is a bit unusual in a few ways. Vibraphonist Dave Pike sticks here exclusively to the marimba, while pianist Herbie Hancock is heard throughout on organ, an instrument he rarely played again. The band also includes two trumpeters (most notably Clark Terry who has a few short solos) and a rhythm section with guitarist Billy Butler. Most of the music consists of obscurities and is open to the influences of the boogaloo and pop rhythms of the era; highlights include Hancock's "Blind Man, Blind Man," "Sunny" and "Devilette." An interesting effort.
Mirroring his onetime boss and mentor Miles Davis' own protean output, Herbie Hancock has explored hard bop, soul-jazz, fusion, funk-rock, soundtracks, hip-hop-inflected pop ("Rockit"), and many permutations in between. His early work for Blue Note, though, offers the best entrée for newcomers. Compiled from five of his albums for the label and covering a period from 1962-1968, this fine sampler includes highlights from his debut, Takin' Off ("Watermelon Man"), the classic Maiden Voyage (the title track and "Dolphin Dance"), and the early electric album Speak Like a Child (the title track and "Riot"). Add to this more indelible cuts like "Cantaloupe Island" and "One Finger Snap," not to mention the presence of numerous '60s jazz luminaries (Dexter Gordon, Freddie Hubbard, Thad Jones, Hank Mobley, Billy Higgins, et al.), and you have perfect way to get a taste of some of the best modern jazz committed to wax.
Herbie Hancock's second album released under this title, 1982's The Herbie Hancock Trio features the pianist backed by his fellow former Miles Davis alum, bassist Ron Carter and drummer Tony Williams. As with the trio's 1977 debut, the 1982 outing finds the group reuniting for a set of standards and originals. This is swinging, sophisticated jazz done in a straight-ahead style. Recorded at CBS/Sony Shinanomachi Studio, Tokyo, Japan on July 27, 1981 by Sony PCM-1600 Digital Recording System.
"Blues for Salvador" is a 1987 album by Carlos Santana, dedicated to his wife, Deborah Santana. The record was released by Carlos Santana as a solo project, not with the Santana band. It won the 1989 Grammy Award for Best Rock Instrumental Performance, his first Grammy ever.