These three magnificent works belong in the repertoire of cellists everywhere. They are full of Villa-Lobos’ signature exotic instrumental textures, folk-like melodies, and abundant invention. They are also harder than hell to play, and difficult to balance. Villa-Lobos was a cellist himself, and loved the instrument’s low, dark register. Penetrating his dense orchestration without making the instrument sound like a dying cow is just one of the many challenges facing cellists attempting to come to grips with this marvelously expressive music, though recordings can solve this problem with sensitive microphone placement. Antonio Meneses understands both the music and its performance problems, and his lower register manages to sound gruff without undue signs of bovine distress. He’s helped by some very sensitive accompaniments; Pérez projects the music’s lush timbres without laying it on too thick.
Heitor Villa-Lobos is without a doubt Brazil's most famous composer and one of the great creative personalities of the twentieth century. His oeuvre is gigantic in its dimensions and perhaps can be compared only to that of Darius Milhaud, who, by the way, was a close friend of his. In any case, Villa-Lobos was the first to introduce the music of Latin America to the world's concert halls, and influences from this music do indeed abound in his oeuvre. cpo is now presenting the first complete recording of his colossal symphonic work complex in a boxed set of seven CDs at a special low price! The SWR Radio Symphony Orchestra under the American star conductor Carl St. Clair has taken on this enormous task, and the result can only be described as a bravura achievement. You can look forward to an orchestral tour de force operating on the highest level!
The young Polish musician Krzysztof Meisinger (b. 1984) is one of the most fascinating and charismatic guitarists of his generation. With the legendary Academy of St Martin in the Fields under the direction of the Brazilian conductor José Maria Florêncio, he has recorded the famous Guitar Concerto of Heitor Villa-Lobos. In this work of 1951, Villa-Lobos paid eloquent homage to the guitar’s qualities as a concert instrument. The recording also includes the Five Preludes for solo guitar, and an arrangement of Melodia Sentimental for guitar, violin, and string orchestra. This programme – recorded at Abbey Road Studios in London! – ideally displays the flexibility of a young soloist ready to conquer the world with his bewitching playing.
The music of Heitor Villa-Lobos is known for its characteristic nationalism, driving rhythms, and original instrumentation. He was trained as an autodidact opposed to academic instruction, his music grew in a completely independent and individual fashion.
Heitor Villa-Lobos was born in Rio de Janeiro. His father, Raul, was a wealthy, educated man of Spanish extraction, a librarian, an amateur astronomer and musician. In Villa-Lobos's early childhood, Brazil underwent a period of social revolution and modernisation, abolishing slavery in 1888 and overthrowing the Empire of Brazil in 1889. The changes in Brazil were reflected in its musical life: previously European music had been the dominant influence, and the courses at the Conservatório de Música were grounded in traditional counterpoint and harmony. Villa-Lobos underwent very little of this formal training…
This album is a delicious offering from one of the most underrated guitar maestros of all time. Not only does he capture the Samba-inspired passion of Villa-Lobos music (unlike Rodrigo, Villa-Lobos was an accomplished guitarist in his own right), but interprets it in a way that commands and maintains the attention.