Esoteric Recordings are proud to announce the release of a new deluxe 3CD which tells the story of the so- called “underground” era of one of Britain’s great independent record labels of the 1960s & 1970s, Transatlantic Records. In the heady atmosphere of the late 1960s, the sea change in British popular music spearheaded by the Beatles experimentation on the Sergeant Pepper album and swiftly followed by the likes of Cream, Pink Floyd, Traffic, Family, Procol Harum, Jethro Tull and a host of groups and musicians who followed in their footsteps led to the album being seen as the medium in which “serious” musicians would explore and develop their craft. The apparently disparate genres of blues, jazz, rock, folk and even world music were fused together by many diverse acts all of whom were eager to be regarded as “progressive” in their musical approach. The so-called “underground” audience eagerly consumed this music, which sat alongside the social changes that were also taking place.
A long-lost Captain Beefheart album is to finally be released, on what would have been Don Van Vliet's 71st birthday. Bat Chain Puller was recorded in 1976 but shelved later that year, due to a dispute between Frank Zappa and his former manager, Herb Cohen. Bat Chain Puller was originally intended to be the follow-up to 1974's maligned Bluejeans & Moonbeams, after Vliet recruited a new band. Zappa produced the sessions, and tracks like Owed t'Alex and The Floppy Boot Stomp made it all the way to Beefheart's label, Virgin, as well as several journalists. Unfortunately that's as far as things got. When Zappa sued Cohen, Bat Chain Puller was caught in the litigation and the album was shelved. Although many of Bat Chain Puller's songs were re-recorded for subsequent Beefheart releases, the original record has only been available among fans, as a popular bootleg.
Excellent 70’s Spanish symphonic progressive rock album with a powerful progressive musical prowess. "Intención" is very reminiscent at times of Pink Floyd (Meddle era) with great guitar soloing and a ton of great keyboard work (Hammond and moog). Originally issued in 1976, "Intención" is the perfect follow-up to The Beginning of the End, with Atila offering further pieces led by the strong guitar licks of Eduardo Niebla, Benet Nogué's organ & Moog, and Joan Punyet's drums melting in top progressive freakouts, plus the addition of wordless vocal parts and even some Catalan sung parts, besides adding a symphonic edge to the general sound…
Destroyer is the fourth studio album by American rock band Kiss, released on March 15, 1976 by Casablanca Records in the US. It was the third successive Kiss album to reach the top 40 in the US, as well as the first to chart in Germany and New Zealand. The album was certified gold on April 22, 1976, and platinum on November 11 of the same year, the first Kiss album to achieve platinum. The album marked a departure from the raw sound of the band's first three albums.