Heart had a second run on the charts in 1985 when they signed to Capitol Records and refashioned themselves as a mainstream pop/rock band, heavy on melodies and power ballads. The move paid off immediately, as they scored four Top Ten hits from Heart, their first record for the label: "What About Love?," "Never," "These Dreams," and "Nothin' at All." Heart kept up their hot streak for several more years, reaching the Top Ten three other times with the number one hit "Alone," "Who Will You Run To," and "All I Wanna Do Is Make Love to You." All of those songs are on Greatest Hits 1985-1995, along with 11 other tracks, including the semi-rarities of the Ann Wilson and Robin Zander duet "Surrender to Me" and the "studio version" of "You're the Voice." It may run a little long for the more casual fans, but overall, this is an excellent overview of the era, perfect for fans that don't need the full-length studio albums.
Released in 1980, just as Heart's first wave of popularity was fading, Heart Greatest Hits: Live contains a side of the group's most popular songs – such as "Barracuda," "Crazy on You," and "Dreamboat Annie" – balanced by a side's worth of live tracks, including versions of "Magic Man," "Dog & Butterfly," and "Bebe Le Strange," plus a medley of the Beatles' "I'm Down/Long Tall Sally" and Zeppelin's "Rock & Roll."…
Limited 24kt Gold disc pressing of this collection from the Classic Rock band led by sisters Ann and Nancy Wilson. Focusing on the years 1975-83, this chronological collection features tracks culled from hit albums like Dreamboat Annie, Dog & Butterfly and Bebe Le Strange. Also includes a live cover of Led Zeppelin's 'Rock And Roll' and a 1998 studio track.
Arriving in 1967, Greatest Hits does an excellent job of summarizing Dylan's best-known songs from his first seven albums. At just ten songs, it's a little brief, and the song selection may be a little predictable, but that's actually not a bad thing, since this provides a nice sampler for the curious and casual listener, as it boasts standards from "Blowin' in the Wind" to "Like a Rolling Stone." And, for collectors, the brilliant non-LP single "Positively Fourth Street" was added, which provided reason enough for anybody that already owned the original records to pick this up. This has since been supplanted by more exhaustive collections, but as a sampler of Dylan at his absolute peak, this is first-rate.
A straightforward summary of the Shadows' first three years of habitual hit-making, opening with the pounding flurry of "Apache," then tracing through the next eight smash singles, with a handful of attendant B-sides (and one EP cut, the title track from The Boys) to round the package out. There is no denying the sheer brilliance of this early sequence. Hits like "Wonderful Land," "FBI," and "Man of Mystery" utterly rewrote the guitar's role in rock, not only musically, but culturally as well. Unquestionably, the Shadows' importance and impact diminished as the years passed, but at the outset of their career – the period documented here – they were untouchable. It is for that reason that The Shadows' Greatest Hits is still regarded in some quarters as the finest Shadows album of them all, an accolade which no other compilation (and goodness knows, there's been enough of them) has ever been able to dismiss. Even the sleeve screams "masterpiece."
Born Caroline Catharina Müller in the Netherlands, she moved with her family to Germany in the late '70s. In 1980, she became a member of the girl quartet Optimal, who issued two singles. During one of the band's concerts in Hamburg, she was approached by songwriter/producer Dieter Bohlen who had just taken the continental charts by storm with his duo Modern Talking…
Greatest Hits is a fine ten-track overview of the funk keyboardist's late-'70s/early-'80s recordings, containing all three of his Top Ten R&B hits ("Reach for It," "Dukey Stick," "Sweet Baby") plus a good selection of minor hits and album tracks.