Haydn d

Johann Peter Salomon & Joseph Haydn - 12 London Symphonies (2012) (La Tempestad) (4CD Box Set)

Johann Peter Salomon & Joseph Haydn - 12 London Symphonies (2012) (La Tempestad) (4CD Box Set)
XLD Rip | FLAC (tracks+.cue, log) | Artwork | 1649 mb | MP3 CBR 320kbps | RAR | 892 mb
Classical | Label: Música Antigua Aranjuez - MAA010

The London symphonies, sometimes called the Salomon symphonies after the man who introduced London to Joseph Haydn, were composed by Joseph Haydn between 1791 and 1795. They can be categorized into two groups: Symphonies Nos. 93–98, which were composed during Haydn's first visit to London, and Symphonies Nos. 99–104, composed in Vienna and London for Haydn's second visit.
Every London Symphony, apart from one (No. 95), has a slow introduction to the first movement.
The London Haydn Quartet - Haydn: String Quartets Op 50 (2016) [TR24][OF]

The London Haydn Quartet - Haydn: String Quartets Op 50
Classical | FLAC (tracks) 24-bit/96 kHz | 148:43 min | 2.91 GB | Digital booklet
Label: Hyperion | Tracks: 24 | Rls.date: 2016

The London Haydn Quartet turns to the six Op 50 quartets. More serious—intellectually taut—than the Op 33 ‘Russian’ quartets which they follow in Haydn’s output, these six ‘Prussian’ quartets dazzle in such committed performances as these.
Dennis Russell Davies, Stuttgarter Kammerorchester - Haydn: The Complete Symphonies (37CDs, 2009)

Dennis Russell Davies, Stuttgarter Kammerorchester - Haydn: The Complete Symphonies (37CDs, 2009)
Classical | MP3 CBR 320 kbps | 5.36 GB | Covers - 5.67 MB
Label: Sony Classical | Release Year: 2009

This 37-disc box set is the only brand new and fully digital recording of the complete symphonies of Haydn. Performed by the Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) and conducted by Dennis Russell Davies, the recordings were done live in connection with concerts of the whole cycle. The series received fantastic reviews by the press, and The Stuttgart Chamber Orchestra was awarded the European Chamber Music Prize in 2008. Available at a fantastic price, the set is released to tie in with the 200th anniversary of the composer’s death in 2009.
Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}

Joseph Haydn - Haydn Concertos - Maxim Emelyanychev / Riccardo Minasi / Il Pomo d'Oro (2016) {2CD Erato-Warner Classics}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 728 Mb | MP3 @320 -> 296 Mb
Full Artwork @ 300 dpi (png) -> 68 Mb | 5% repair rar
© 2016 Erato / Warner Classics | 0825646052042
Classical / Viennese School / Concerto

Co-chief conductors Riccardo Minasi and Maxim Emelyanychev take turns on the podium leading this period-instrument band in a rousing collection of concertos by Haydn. Il Pomo d'Oro has been hailed "a wonderful ensemble, and Minasi an outstanding musician" capable of "bringing the house down with his virtuosity" (The Guardian). Emelyaychev's award-winning harpsichord joins Minasi's violin in the soloists' spotlight, along with the distinguished natural horn of Johannes Hinterholzer. The concertos are complemented by Haydn's Symphony No 83 (known as The Hen, because of the ‘clucking’ figures on the strings in its second movement) and his Keyboard Fantasia Hob.XVII:4.
Steven Isserlis,  Roger Norrington - Joseph Haydn: Cello Concertos in C & D; Sinfonia Concertante (1998)

Joseph Haydn - Cello Concertos in C & D; Sinfonia Concertante (1998)
Steven Isserlis, cello; The Chamber Orchestra of Europe; Sir Roger Norrington, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb (incl 5%) | Mp3 (CBR320) ~ 196 Mb (incl 5%) | Scans included
Genre: Classical | Label: RCA Red Seal | # 09026 68578 2 | Time: 01:15:22

What a versatile artist Steven Isserlis is. Having made his name as a sympathetic interpreter of a wide variety of romantic and modern music, here he shows he can be just as persuasive in eighteenth-century repertoire. His stylistic awareness is evident in beautiful, elegant phrasing, selective use of vibrato and varied articulation, giving an expressive range that never conflicts with the music’s natural language. In the cello concertos he is helped by an extremely sensitive accompaniment, stressing the chamber musical aspects of Haydn’s pre-London orchestral writing. The soft, intimate sonority at 3'06'' in the first movement of the D major is a typical example. The Adagios are taken at a flowing speed, but Isserlis’s relaxed approach means they never sound hurried. The Allegro molto finale of the C major Concerto, on the other hand, sounds poised rather than the helter-skelter we often hear. In his understanding of the music, Isserlis is a long way ahead of Han-na Chang, whose version places the emphasis on fine, traditional-style cello playing. Mork’s vivacious, imaginative performances characterize the music very strongly, but my preference would be for Isserlis’s and Norrington’s lighter touch and greater refinement.
Yo-Yo Ma, English Chamber Orchestra - Haydn: Cello Concertos 1&2 (1981/1993) {Sony Classical}

Yo-Yo Ma, English Chamber Orchestra - Haydn: Cello Concertos 1&2 (1981/1993) {Sony Classical}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 199MB + 5% Recovery
MP3 CBR 320 Kbps | 118MB + 5% Recovery
Genre: Classical

The Cello Concerto No.1 in C Major, Hob. VIIb/1, by Joseph Haydn was composed around 1761–1765 for longtime friend Joseph Weigl, then the principal cellist of Prince Nicolaus's Esterhazy Orchestra. The work was presumed lost until 1961, when musicologist Oldrich Pulkert discovered a copy of the score at the Prague National Museum. Though some doubts have been raised about the authenticity of the work, most experts believe that Haydn did compose this concerto.

Haydn & Scarlatti: The Complete Keyboard Sonatas by CD Sheet Music (Repost)  eBooks & eLearning

Posted by thingska at Feb. 8, 2015
Haydn & Scarlatti: The Complete Keyboard Sonatas  by CD Sheet Music (Repost)

Haydn & Scarlatti: The Complete Keyboard Sonatas by CD Sheet Music
English | Jun 1, 2006 | ISBN: 142342798X | 2500 pages | RAR/PDF | 242,2 MB

Haydn - The Complete Symphonies (Dorati) (2009)  Music

Posted by Ebisu at Jan. 17, 2014
Haydn - The Complete Symphonies (Dorati) (2009)

Haydn - The Complete Symphonies (Dorati) (2009)
Classical | Eac. Flac, Tracks+Cue, Log | Scans | 10.13 GB
Label: Decca | TT: 36:31

A limited-edition super-budget set. 2009 is 200th anniversary of Haydn’s death. Decca’s pioneering complete cycle of Haydn symphonies on modern instruments. Recorded between 1969 and 1972, this was the first complete cycle of Haydn’s symphonies. Hungarian-born Antal Dorati was a Haydn pioneer and specialist who also recorded Haydn operas for Philips during the same period. Decca catalogue of Haydn is without parallel and contains complete cycles of the Piano Sonatas and String Quartets (as well as Piano Trios on Philips). Many of these are award-winning recordings.
Concertgebouw Chamber Orchestra, Marco Boni - Haydn: Symphonies No.22, 44 & 64 (2003) [Official Digital Download 24/88]

Concertgebouw Chamber Orchestra, Marco Boni - Haydn: Symphonies No.22, 44 & 64 (2003)
FLAC (tracks) 24-bit/88.2 kHz | Time - 55:40 minutes | 831 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Marco Boni leads the Concertgebouw Chamber Orchestra on this recording featuring Haydn's best known early symphony, his No. 22, subtitled "The Philosopher." The album also includes Symphony No. 44 "Mourning", a portion of which Haydn asked to be played at his funeral; the Symphony No. 64, nicknamed "Tempora Mutantur" ("the times change"), completes the programme.

Jean-Efflam Bavouzet - Haydn: Piano Sonatas, Vol. 6 (2017)  Music

Posted by SERTiL at May 20, 2017
Jean-Efflam Bavouzet - Haydn: Piano Sonatas, Vol. 6 (2017)

Jean-Efflam Bavouzet - Haydn: Piano Sonatas, Vol. 6
Classical | WEB FLAC (tracks) & d. booklet | 83:23 min | 249 MB
Label: Chandos | Tracks: 15 | Rls.date: 2017

The highly acclaimed series of Haydns complete piano sonatas with multi-award winning pianist Jean-Efflam Bavouzet has now reached Volume 6. This set opens with the most imposing of Haydns early sonatas, No. 11, and follows it with two lesserknown ones, both from the late 1770s, that were published without the composers approval: Nos 34 and 35. Each of Nos 36 and 43, the last two featured here, opens a new group of six sonatas, and a new world in Haydns compositional style. Future volumes will continue to explore the huge variety of style and expression found in Haydns sonatas.