Harmony Music

A Player's Guide to Chords and Harmony: Music Theory for Real-World Musicians (Repost)

Jim Aikin, "A Player's Guide to Chords and Harmony: Music Theory for Real-World Musicians"
English | 2004 | ISBN: 0879307986 | EPUB | 198 pages | 2,8 MB

A Player's Guide to Chords and Harmony: Music Theory for Real-World Musicians  eBooks & eLearning

Posted by nebulae at April 5, 2012
A Player's Guide to Chords and Harmony: Music Theory for Real-World Musicians

Jim Aikin "A Player's Guide to Chords and Harmony: Music Theory for Real-World Musicians"
2004 | ISBN: 0879307986 | EPUB | 198 pages | 2,8 MB

Crystal Harmony: music on the glass  Music

Posted by gravisus at June 16, 2008
Crystal Harmony: music on the glass

Crystal Harmony: music on the glass
Classical | CUE+FLAC+JPG | 260MB

The passion for playing on glass goblets filled with varying amounts of water preceded the appearance of the of the instrument with such name. The performer produced a sound rubbing the rim of the glass with fingers.
PS: very rarely recordings

Music Theory - Figured Bass in 3 Hours - ABRSM Grades 6 & 7  eBooks & eLearning

Posted by naag at Dec. 21, 2015
Music Theory - Figured Bass in 3 Hours - ABRSM Grades 6 & 7

Music Theory - Figured Bass in 3 Hours - ABRSM Grades 6 & 7
MP4 | Video: 1280x720 | 82 kbps | 48 KHz | Duration: 4 Hours | 351 MB
Genre: eLearning | Language: English

Learn how figured bass works, realize a figured bass or create four-part harmony. Music theory exam-style questions.

Advances in Music Information Retrieval (repost)  eBooks & eLearning

Posted by interes at Feb. 3, 2015
Advances in Music Information Retrieval (repost)

Advances in Music Information Retrieval (Studies in Computational Intelligence) by Zbigniew W. Ras and Alicja Wieczorkowska
English | 2010-02-12 | ISBN: 3642116736 | PDF | 420 pages | 5 MB

Advances in Music Information Retrieval [Repost]  eBooks & eLearning

Posted by ChrisRedfield at Jan. 19, 2013
Advances in Music Information Retrieval [Repost]

Zbigniew W. Ras, Alicja Wieczorkowska - Advances in Music Information Retrieval
Published: 2010-02-12 | ISBN: 3642116736 | PDF | 420 pages | 5 MB

Advances in Music Information Retrieval  eBooks & eLearning

Posted by tot167 at March 19, 2010
Advances in Music Information Retrieval

Zbigniew W. Ras, Alicja Wieczorkowska, "Advances in Music Information Retrieval"
Springer | 2010 | ISBN: 3642116736 | 420 pages | PDF | 4,9 MB
Tonal Harmony: With an Introduction to Twentieth-Century Music (7th edition) [Repost]

Tonal Harmony: With an Introduction to Twentieth-Century Music (7th edition)
2012 | ISBN: 0078025141, 0071318283, 007765823X | PDF | 688 pages | 20 MB

Harmony of Nations & Laurence Cummings - Bach Triples (2017)  Music

Posted by Pisulik at Dec. 15, 2017
Harmony of Nations & Laurence Cummings - Bach Triples (2017)

Harmony of Nations & Laurence Cummings - Bach Triples (2017)
Classical | MP3 CBR 320 kbps | Digital Booklet | 01:15:29 | 178 MB
Label: Raumklang (edition raumklang)

In many of his works, Bach made use of a hidden symbolism of numbers. The number “three” had a special meaning for Bach and was the basis for the triple concertos, the concertos for three solo instruments, recorded here. On the one hand, the number three had for Bach a Christian connotation; on the other hand, there were also entirely profane reasons. As an essential element of late-baroque texture, the “three” was reflected in the trio sonata, whose structure was the basis of numerous instrumental and vocal pieces. Bach probably composed the Concerto for three harpsichords especially for two of his sons (and pupils), taking the third part himself. In the Third Brandenburg Concerto, the idea of three solo instruments is carried even further in that each of the three string groups – violins, violas, and violoncellos – have three independent parts.
Simone Dinnerstein - Something Almost Being Said: Music of Bach and Schubert (2012)

Simone Dinnerstein - Something Almost Being Said: Music of Bach and Schubert (2012)
EAC | FLAC | Image (Cue&Log) ~ 246 Mb | Mp3 (CBR320) ~ 209 Mb | Scans included
Genre: Classical | Label: Sony Classical | # 88697989432 | Time: 01:15:47

"The trees are coming into leaf/Like something almost being said." Taking a cue from these lines of Philip Larkin, pianist Simone Dinnerstein casts her album of the music of J.S. Bach and Franz Schubert in poetic terms. Her understanding of the composers is summed up in her own words: "The music of Bach and Schubert share a distinctive quality, as if wordless voices were singing textless melodies." Of course, Bach and Schubert were masters of setting texts to profoundly expressive music, so it is fruitful to look for the lyrical impulse in their keyboard works and appropriate to find songful interpretations. Yet Dinnerstein doesn't merely serve up rhapsodic renditions or treat the music as some kind of tuneful vehicle for idiosyncratic or personal reveries. Her playing is quite in character for both composers, and her treatment of the material is far from self-indulgent. Indeed, counterpoint and harmony are carefully balanced against the upper lines, and Dinnerstein is completely in control of the inner parts in Bach's partitas and the rhythmic subtleties of Schubert impromptus. Dinnerstein's playing is well-rounded and skillful, and the care she lavishes on the smallest details of execution may well remind listeners of Glenn Gould (without his attendant eccentricities) or Angela Hewitt.